Higinio and Rosa have only been married for a few months when the Civil War breaks out, representing a serious threat to his life. Helped by his wife, they decide to use a hole dug into their own home as a provisional hiding place. The fear of potential reprisals and the love they feel for one another will condemn them to an imprisonment that will last for more than 30 years.
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Aiman is a 28-year-old Malay correctional officer who is recently transferred to the territory’s top prison. Aiman lives with his older sister Suhaila in a modest housing estate. At his new workplace, Aiman begins to take an interest in a 65-year-old sergeant named Rahim. Soon, it is revealed that the charismatic Rahim is actually the long-serving chief executioner of the prison. Rahim also takes notice of the principled and diligent Aiman. When Rahim’s assistant suddenly quits, he asks Aiman to become his apprentice. Aiman tells Suhaila of his new job position, but Suhaila becomes upset, as their father was actually executed by Rahim. Aiman knew this all along. Can Aiman overcome his conscience and a haunted past to possibly take over as the next chief executioner?
July of 1916 was a time of record heat, a polio epidemic, and a World War in Europe. But beachgoers in New Jersey are threatened by a even greater terror: a shark that has suddenly developed a taste for human flesh. Starting July 1st and lasting over a period of 12 days, the unidentified shark kills four people and seriously injures a fifth before the attacks stop, and threatens New Jersey’s thriving tourist industry. Based on true events, and one of the inspirations behind Peter Benchley’s Jaws.
After serving in the trenches of World War I, Jean Diaz recoils with such horror that he renounces love and personal pleasure to immerse himself in scientific research, seeking a machine to prevent war. He thinks he has succeeded, but the government subverts his discovery, and Europe slides with seeming inevitability toward World War II. In desperation, Diaz summons the ghosts of the war dead from the graves and fields of France to give silent, accusing protest.
Fatima, a Moroccan-born woman who now lives in France with her two teenage daughters, with whom she is barely able to communicate.
After heavy rain, the Mississippi is breaking it’s banks flooding small towns. Richard Thomas and Kate Vernon realise their town is next on the hit list. Lots and lots of sand bags might not do the trick but a huge explosion might. In the meantime the plot is filled up with a predictable story about a family dreading their mistake of staying behind when they become entrapped in their own home.
Reporter Clay Pigeon interviews New Yorkers in October, 2008.
Shot mainly in South East London, it’s about Micky Mason, a skilled manual worker who, since the Crash, can find nothing but menial zero hours jobs. He takes a course of action that is completely out of character, but it’s the only way he can see of keeping his family together. It is about surviving, but it’s not all anguish and despair – it’s also warm and tender, and funny. It’s about people finding their way through. It’s about Micky Mason; a man out there, right now, doing his best.
