As London is submerged below floodwaters, a woman gives birth to her first child. Days later, she and her baby are forced to leave their home in search of safety. They head north through a newly dangerous country seeking refuge from place to place.
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Henri Charrière, called “Papillon” for the butterfly tattoo on his chest, is convicted in Paris for a murder he did not commit. Sentenced to life imprisonment in the penal colony of French Guiana, he becomes obsessed with escaping. After planning and executing a series of treacherous yet failed attempts, he’s sent to the notorious prison Devil’s Island, a place from which no one has ever escaped.
Hoping to find answers to her estranged father’s mysterious illness, a young woman visits his old villa and uncovers a horrifying truth from the past.
When in 1941 Nazi Germany invaded the Soviet Union, their troops quickly besieged Leningrad. Foreign journalists are evacuated but one of them, Kate Davies, is presumed dead and misses the plane. Alone in the city she is helped by Nina Tsvetnova a young and idealist police officer and together they will fight for their own survival and the survival of the people in the besieged Leningrad.
Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi
A woman and her ex consider pregnancy to create a donor for their sick child.
In 1989, known as Mendax, Julian Assange and two friends formed a group called the International Subversives. Using early home computers and defining themselves as white hat hackers – those who look but don’t steal – they broke into some of the world’s most powerful and secretive organisations. In the eyes of the US Government, they were a major threat to national security.
After losing the hero worship of her excitement in a repulsive catastrophe, Kara moves across the country to attend a writing program in Los Angeles. She finds room and board as soon as Charlie Fratelli, a kooky, cheerful girl who loves to beverage wine and flirt when younger men. There, Kara meets Jason, a shy do something student, who nimbly takes to Kara even though his meek birds prevents him from making a involve. Instead, an older, dreamier man named Paul Reese sweeps Kara off her feet. Paul is an conventional crime novelist and Kara is hastily taken gone his mild confidence. Soon, it seems as though everyone who has persecuted Kara ends happening paying the ultimate price and she begins to admiration what she in dream of fact knows just roughly Paul. Kara enlists Jasons encourage to locate out the precise–but soon the two take taking place a haunting conclusion.
At the dawn of World War 2, a Rabbi’s daughter and a disenchanted German soldier fall in love and are separated by the war. They struggle on a perilous journey to find one another.
The story of Captain Balram Singh Mehta of India’s 45 Cavalry regiment who, along with his siblings, fought on the eastern front during the Indo-Pakistani war of 1971. Named after the Russian amphibious war tank “PT-76”, which floats on water like an empty ‘pippa’ (tin) of ghee, the film traces Mehta’s coming-of-age as he steps up to prove himself in a war to liberate Bangladesh.
