After a savage breakup, two exes must continue living together when California issues its stay-at-home order for COVID-19. Now they’ll try to move on without moving out.
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Two LA detectives get in over their heads when they get involved with a nightclub singer who holds the key to the missing loot from a New York elevator robbery. Once they find the money, they are tempted to keep it and betrayal and corruption come to run the order of things.
A tragic tale of two lovers from the holocaust. Fate tore them apart, destiny brought them together.
Maura Mackenzie (Carolina Bartczak) believes the world is hers to conquer. With her career as a concert pianist gaining momentum, it seems her beauty and talent will be strong enough to mask the demons that threaten to engulf her. But with an absent husband (Chris Jacot) and two young daughters at home, her precarious sanity begins to unravel until one summer day, burning with manic energy, she makes a terrible mistake — a mistake that will change her life forever. The consequences for Maura are catastrophic: her ambitious husband runs for his life, taking the children with him, leaving Maura to lapse into a full-scale breakdown. Life as she knew it is now over. With the help of her father, Ian (Peter MacNeill), Maura works to reclaim her life and waits for a miracle to bring her daughters home. But when the fates align, can the past be forgiven?
Ludo is about the butterfly effect and how, despite all the chaos and crowd of the world, all our lives are inextricably connected. From a resurfaced sex tape to a rogue suitcase of money, four wildly different stories overlap at the whims of fate, chance and one eccentric criminal.
In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty thief from Philly; one teaches school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one’s life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three wives establish their own bond.
The same situation is played out in different cities (New York, Berlin and Japan). A lover has to choose whether to commit to a partner who is returning home. In each case there are other people involved, an ex-partner and someone else in a “permanent” relationship, what do they choose to do?
Most everyone in town thinks that Sheriff Calder is merely a puppet of rich oil-man Val Rogers. When it is learned that local baddie Bubber Reeves has escaped prison, Rogers’ son is concerned because he is having an affair with Reeves’ wife. It seems many others in town feel they may have reasons to fear Reeves. Calder’s aim is to bring Reeves in alive, unharmed. Calder will have to oppose the powerful Rogers on one hand and mob violence on the other, in his quest for justice.
Roseanna is dying of a heart condition, and all she wants is to be buried next to her daughter, in a cemetery that is getting full fast. The cemetery can’t expand because Capestro, the man who owns the land next to the cemetery, won’t sell. While Marcello is doing good deeds to make sure no one dies, Roseanna thinks of Marcello’s future.
Wan Fei (Joey Yung) is a promising Chinese Opera singer who is secretly in love with Ho Fung (Nicholas Tse). She plans to sing for him from the stage, but, in a tragic accident, dies mid-song. Years later, Wan Fei’s ghost returns, and finds that part of her spirit has been reincarnated in the form of Chor-bat (Eason Chan). Wan Fei still longs to sing her song for her lover, and, after much humorous confusion, her dream is fulfilled.
