Hyunjin, a test taker, moves into an old apartment. There are strange sounds from next door where a strange boy named Hyunggu lives. One day, Hyunggu and his mother are cruelly murdered.
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Several years ago, a sleepy Pacific Northwest town was terrorized by a skull-faced maniac with a thirst for blood. It seemed no man, woman or child was safe from the North Bend Reaper, a crafty serial killer who became infamous for stealing patches of clothing from his bloodied victims. Despite a massive manhunt, the Reaper was never found. Fast forward to the present – a group of actors try to cash in on the town’s notoriety by hosting an interactive murder mystery party based on the unsolved killings. After isolating their guests at an abandoned summer camp, they come to the terrifying conclusion that someone in their midst is killing them off one by one. Has someone chosen to continue the North Bend Reaper’s bloody legacy? Or has the Reaper himself come back for one last dance with death?
Burdened by old demons, a troubled but brilliant detective sets out to solve two confounding abduction cases — one involving his own girlfriend.
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No equal signs of justice can be drawn between those who are accused of a crime, those who are convicted of a crime and those who are the true offenders. That triangle always contains the accused who are not guilty and true offenders whose guilt cannot be ultimately proven. Throughout history, one of the greatest deviations in the strive towards equality has occurred in the triangle of guilt in sexual crimes, where guilt is largely proven on the basis of a woman’s will.