Javier is an obsessed artist who is grieving the end of a relationship. His sorrow comes as a combination of memories, instinct and denial, and the mourning’s harsh feelings will compromise his sense of reality. Surrounded by doubt, and subjected to several addictions, Javier fights to find peace – until his lattermost move take him to a surrealistic emotional purgatory. The absurdity in which Javier finds himself might be a way out of the pain, and his redemption to love and all endings. But first he needs to confront his demons and to take one last chance into the pleasures of the flesh.
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The young Austrian princess Marie Antoinette is arranged to marry Louis XVI, future king of France, in a politically advantageous marriage for the rival countries. The opulent Marie indulges in various whims and flirtations. When Louis XV passes and Louis XVI ascends the French throne, his queen’s extravagant lifestyle earns the hatred of the French people, who despise her Austrian heritage.
Simón, a Venezuelan freedom fighter exiled in Miami, copes not only with trauma, but also deep guilt over a choice he must make: stay in Miami and start a new life, or return home to the losing fight against a tyrannical regime.
Jasmine French used to be on the top of the heap as a New York socialite, but now is returning to her estranged sister in San Francisco utterly ruined. As Jasmine struggles with her haunting memories of a privileged past bearing dark realities she ignored, she tries to recover in her present. Unfortunately, it all proves a losing battle as Jasmine’s narcissistic hangups and their consequences begin to overwhelm her. In doing so, her old pretensions and new deceits begin to foul up everyone’s lives, especially her own.
Ryan, a well-intentioned, young police officer with a troubled past, is just out of training when a Senior Officer singles him out as a perfect candidate for an undercover sting. Ryan is transformed into Max, a young criminal with a force-ten temper who infiltrates a notorious gang of bank robbers, headed by the enigmatic and elusive master-thief known only as “The Monopoly Man”. Struggling with his identity, Ryan is drawn closer to the gang and finds himself crossing the line to the point of no return as he takes part in their biggest heist yet. When the gang are caught and locked together in a cell, with rumours of a “snitch” in their midst, Ryan must maintain his criminal persona just to stay alive.
After a terrible virus ravages human civilization, Ann finds herself living alone in a forest, foraging for supplies, and accompanied only by a radio that broadcasts a single transmission in French. Few animals even remain; the only survivors seem to be the roving hordes of infected creatures with a taste for human flesh. One fateful day, Ann crosses paths with two more survivors, Chris and Olivia. But after surviving on her own for so long, she struggles to relate to them and and their desire to settle down and start a new community.
When a contract killer discovers his latest set of targets have supernatural abilities and are connected to the death of his late wife, he goes rogue, turning his targets into a weapon against the corrupt officials that hired him.
The story of Katherine Ann Watson, a feminist teacher who studied at UCLA graduate school and in 1953 left her boyfriend behind in Los Angeles, California to teach at Wellesley College, a conservative women’s private liberal arts college in Massachusetts, United States.
Beginning with the suicide of a film director, this work represents the Korean New Wave Cinema movement that focused on criticizing the Korean society in the 1980s through satire and humor. The journey taken by the characters, who lead low lives at the margins of the society, award them with a sense of liberation, however brief.
Will, a 30-year old who is losing control of his life, inherits his father’s cabin and with it a new perspective on his family, childhood and relationships.
Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi
