JB Smoove and Martin Starr host a celebration of 20 years of “Spider-Man” movies, from the Sam Raimi trilogy to Marc Webb’s movies and the trio from Jon Watts.

In November 2015, when gunmen attacked Paris, France declared war on the Islamic State. But that war – and France’s ‘year of terror’ – began a year ago with the attack on satirical magazine Charlie Hebdo. With unprecedented access to the French authorities and previously unseen footage, five-time Bafta-winning director Dan Reed reveals the untold story of the massacre and of the first Islamic State strike in Paris at a kosher grocery store. Key witnesses, police officers and survivors – many speaking for the first time – piece together the dramatic attacks and the unprecedented manhunt that gripped the world for three extraordinary and terrifying days.

This real-life thriller tells the story of one of Israel’s prized intelligence sources, recruited to spy on his own people for more than a decade. Focusing on the complex relationship with his handler, The Green Prince is a gripping account of terror, betrayal, and unthinkable choices, along with a friendship that defies all boundaries.

As the US debt spirals out of control, it polarizes society and threatens to disrupt traditional retirement with an impending freight train of onerous taxes and draconian austerity measures.

Mother-of-two Judy Malinowski, then 31, was doused in petrol and set on fire by her crazed ex-boyfriend – and one of the first ever to testify from beyond the grave, at the trial for her own murder. A story that lives at the intersection of true crime and #MeToo, THE FIRE THAT TOOK HER goes deep inside a landmark case to ask a timely question: How much must women suffer in order to be believed?

Despite claims that the theory of evolution and the fossil ‘record’ prove that mankind evolved from ape-like creatures over millions of years, evidence from biology, paleoanthropology and modern genetics tell a different story.

Comedian Bonnie McFarlane dons her investigative journalist’s hat to find out once and for all if women are funny and report her unbiased findings in what some are calling the most important documentary of our generation.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games’ most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Pug, a wisecracking 13 year old living on a dangerous Westside block, has one goal in mind: to join The Twelve O’Clock Boys; the notorious urban dirt-bike gang of Baltimore. Converging from all parts of the inner city, they invade the streets and clash with police, who are forbidden to chase the bikes for fear of endangering the public. When Pug’s older brother dies suddenly, he looks to the pack for mentorship, spurred by their dangerous lifestyle. Pug’s story is coupled with unprecedented, action-packed coverage of the riders in their element. The film presents the pivotal years of change in a boy’s life growing up in one of the most dangerous and economically depressed cities in the US.

Acclaimed artist Abdou Ouologuem delves into the legend and legacy of the richest person in the history of the world, the 14th century Malian king Mansa Musa, who has been almost entirely wiped from recorded history.

Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.

Elite Brazilian surfers go in search of the gnarliest waves on the planet’s best beaches, opening up about their lives and experiences along the way.