In the late 1990s, a drug-addled nihilist resorts to murder to climb the ladder of the London music industry.

A man tours clubs around the globe with his manager and girlfriend. On the eve of their largest album release he is admitted to a psychiatric clinic after overdosing at a gig.

“Mr Mojo Risin’” is the story of the making of the Doors’ last album with Jim Morrison “L.A. Woman”. 2011 is the 40th anniversary both of the album’s release and of the death of Jim Morrison and this programme goes into detail of how the album came about, its recording and what was happening to the band at the time. The story is told through new interviews with the three surviving Doors: Ray Manzarek, Robbie Krieger and John Densmore plus contributions from Jac Holzman, founder of their label Elektra Records, Bill Siddons, who was their manager, Bruce Botnick, engineer and co-producer of the album and others associated with the Doors at this time. The show includes archive footage of the Doors performing both live and in the studio, classic photographs and new musical demonstrations from the Doors.

A groom (Ed Burns) and his four attendants wrestle with issues related to friendship and maturity a week before the big day.

Music for Black Pigeons is the first collaboration between Jørgen Leth and Andreas Koefoed. The film poses existential questions to influential jazz players such as Bill Frisell, Lee Konitz, Midori Takada and many others: How does it feel to play, and what does it mean to listen? What is it like to be a human being and spending your whole life trying to express something through sounds? The characters wake up, rehearse, record, perform and talk about music. In some moments they are on the edge, the edge of existence, constantly challenging themselves. They listen. They devote themselves to finding a space to create a connection to something bigger than themselves. Something that will outlast all of us.

While crafting his Grammy-nominated album “Astroworld,” Travis Scott juggles controversy, fatherhood and career highs in this intimate documentary.

Dr. Alvaro Cruz, a neuroscientist, disillusioned by the death of his mother and his inability to help her, finds redemption and reward by helping Una Vida, a jazz singer he discovers performing on the streets of New Orleans. Her health declining and her singing partner and her adopted daughter unable to help, Cruz seeks out her long lost son in an effort to bring resolution to the grief, loss and longing that has overshadowed her hard but beautiful life.

Raylene ‘Red’ Delaney trades her nine to five career in real estate for a life under the spotlight as a Dolly Parton impersonator. A romantic liaison with Kenny Rogers then occurs while her tumultuous journey continues full of fake hair and artificial boobs.

A visit to the photographer’s returns the physical looks of a 70-year-old grandmother back to her 20s. Things get even stranger when his grandson asks her to join his band, and his best friend begins to fall for her.

SYMPATHY FOR THE DEVIL is an exhilarating, provocative motion picture. The Rolling Stones rehearse their latest song, “Sympathy For the Devil,” in a London studio. Beginning as a ballad, the track gradually acquires a pulsating groove, which gets Jagger into a rousing vocal display of soulful emotion that Godard is lucky enough to capture on film. Showing that rock and roll is more than just partying and goofing off, SYMPATHY FOR THE DEVIL is a brilliant portrait of the creative process at its most collaborative and arousing.

Legendary New York graffiti artist Lee Quinones plays the part of Zoro, the city’s hottest and most elusive graffiti writer. The actual story of the movie concerns the tension between Zoro’s passion for his art and his personal life, particularly his strained relationship with fellow artist Rose

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