An awkward office drone becomes increasingly unhinged after a charismatic and confident look-alike takes a job at his workplace and seduces the woman he desires.
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A mentally fragile man must conquer his fear of death in order to stave off a killer’s advances.
A young man is confronted with corrupt and vindictive colleagues at work and negligent officials at the hospital where his mother is dying. As he searches quixotically for a steadfast moral code by which to live, he suffers from the knowledge of human frailty and our darker inclinations to do harm.
A Christian girl, Rachel Whitaker (Jordan Trovillion) goes off to college for her freshman year and begins to be influenced by her popular Biology professor (Harry Anderson) who teaches that evolution is the answer to the origins of life. When Rachel’s father, Stephen Whitaker (Jay Pickett) senses something changing with his daughter, he begins to examine the situation and what he discovers catches him completely off guard. Now very concerned about Rachel drifting away from her Christian faith, he tries to do something about it!
Deepak, an ordinary young man with a big heart, and Aarthi, an attractive, middle class girl.
For over 130 years till 1996, more than 100,000 of Canada’s First Nations children were legally required to attend government-funded schools run by various Christian faiths. There were 80 of these ‘residential schools’ across the country. Most children were sent to faraway schools that separated them from their families and traditional land. These children endured brutality, physical hardship, mental degradation, and the complete erasure of their culture. The schools were part of a wider program of assimilation designed to integrate the native population into ‘Canadian society.’ These schools were established with the express purpose ‘To kill the Indian in the child.’ Told through their own voices, ‘We Were Children’ is the shocking true story of two such children: Glen Anaquod and Lyna Hart.
Abandoned by her family, Kya raises herself all alone in the marshes outside of her small town. When her former boyfriend is found dead, Kya is instantly branded by the local townspeople and law enforcement as the prime suspect for his murder.
After 40 years of protection, Grey wolves were recently de-listed federally from endangered species act and their fate was handed over to state legislatures. What ensued was a ‘push to hunt’ in wolf country across the United States. Filmmaker Julia Huffman travels to Minnesota and into wolf country to pursue the deep and intrinsic value of brother wolf and our forgotten promise to him.
A ruthless youngster becomes a kind and humble husband for his wife but as fate turns brutal, his patience is tested.
The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic system and he becomes the binding bridge between the geopolitical problems of post-soviet space and the common people. The economic devastation of the country had an enormous impact on the industrial workers and yet despite the upheaval, these people did not seize to love and suffer, to have and be friends and to enjoy their lives. In particular our resilient electrician, who possesses a wonderful and open heart. He not only brings electric light (which is often out) to the lives of the inhabitants of this small city, but he also spreads the light of love, loyalty, life and mainly laughter.
African exchange student, Stan Rohamba arrives in the U.S., excited to be a part of the “model democratic system”. While campaigning for a powerful American senator, Stan uncovers a host of dishonest activity leading directly back to his home country of Mombaire. His discoveries could cost him his life
Oklahoma mechanic Pike Peters finds himself part owner of an oil field. His wife Idy, hitherto content, decides the family must go to Paris to get “culture” and meet “the right kind of people.” Pike and his grown son and daughter soon have flirtatious French admirers; Idy rents a chateau from an impoverished aristocrat; while Pike responds to each new development with homespun wit. In the inevitable clash, will pretentiousness and sophistication or common sense triumph?
The prestigious Danish filmmaker Bille August, winner of an Academy Award and two Palme d’Or in Cannes, returns with a highly personal drama. Three generations of a family gather over a weekend. The sisters Sanne and Heidi have accepted their terminally-ill mother’s desire to die before her disease worsens; but, as the weekend progresses, their mother’s decision becomes harder and harder to deal with, and old conflicts come to the surface.