Montreal, Winter 2002. Stéphane, 19 years old, fan of Metal, student in graphic design, dreams of becoming an illustrator. But for months he has been caught in a threatening spiral: he is addicted to games. Indebted, without an apartment, avoiding his friends to whom he owes money, Stéphane takes a job as a dishwasher in a restaurant in a major Italian restaurant in Montreal in order to get by. There, he will meet Bébert, a cook who burns the candle at both ends, and Greg, a waiter with disreputable actions. Will Stéphane make it through this new job or will he fall into a downward spiral of bad choices?
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David and Brenda are perfect for each other, and everyone knows it except David and Brenda. After a break-up, they each experience their own rough patch. For David, a self-destructive artistic endeavor and a relationship with an immature beauty—for Brenda, a failing acting career, an eviction notice, and a boyfriend who just doesn’t do it for her. A chance encounter brings them together on the streets of New York at a particularly bad time. David invites Brenda to the opening of his first photography exhibit and the stage is set for a night of drinking and flirting which leads to an untraditional proposal of how they can be together without getting back together. A sharply observed, un-romantic comedy by writer/director Mel Rodriguez III, IN STEREO is a stylish and striking first feature that offers an unflinching look at the complexity of modern relationships.
Mary Lennox is born in India to wealthy British parents who never wanted her. When her parents suddenly die, she is sent back to England to live with her uncle, Archibald Craven. She meets her sickly cousin Colin and the two children find a wondrous secret garden lost in the grounds of Misselthwaite Manor.
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A reporter, Alicja Tabor, after many years returns to her hometown of Wałbrzych to write a report about kidnapped children and also to face her own dark family history.
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Tamio Akanishi works at a public office in Yokohama. He is going through one of the worst periods of his life, having been left by his fiancée. One day, his boss tells him to take care of a big, white dog, abandoned by its previous owner. Tamio begins to live with the dog, who doesn’t bark and only makes a sound that sounds like “haw”, and thus he names it Haw. While living together, the connection between the two deepens.
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Set at the end of the 1960s, as Swaziland is about to receive independence from United Kingdom, the film follows the young Ralph Compton, at 12, through his parents’ traumatic separation, till he’s 14. The film is largely based on Richard E. Grant’s own experiences as a teenager in Swaziland, where his father was head of education for the British government administration.
