An orphan in a facility run by the mean Miss Hannigan, Annie believes that her parents left her there by mistake. When a rich man named Oliver “Daddy” Warbucks decides to let an orphan live at his home to promote his image, Annie is selected. While Annie gets accustomed to living in Warbucks’ mansion, she still longs to meet her parents. So Warbucks announces a search for them and a reward, which brings out many frauds.

An imaginative love story that centers on a struggling writer and brokenhearted waitress who find the ability to once again believe in love amidst a world both real and imagined.

‘The Midwife’ (fin.’Kätilö’) is a romance-drama set during WWII in Finland’s Lapland province, a major European battle ground of the war. Based on Katja Kettu’s bestselling novel, ‘The Midwife’ turns on the love affair between a Lapp midwife and a Nazi SS officer set against the backdrop of the Lapland War, which opposed Finnish and Germany armies in 1944-45. The themes in the story are international. It’s about conquering love and war, and class boundaries that are broken down.

When a voyeuristic divorcee fixates on the lives of a perfect couple a far, she soon gets embroiled in a murder mystery that unfolds revealing truths about her own life.

A mother and daughter move to a new town and find themselves living next door to a house where a young girl murdered her parents. When the daughter befriends the surviving son, she learns the story is far from over.

A romantic drama based on the story of Carley Allison, a promising 18 year old figure skater and singer who made medical history in her fight against a rare 1 in 3.5 billion type of sarcoma.

Carlos, a bank executive, begins his morning routine by taking his kids to school. As he starts the car he receives an anonymous phone call informing him that there’s a bomb under his seat. A stranger’s voice tells him that he only has a few hours to gather together a large amount of cash: if he doesn’t, his car will blow up.

The estranged daughter (Lauren Lee Smith) of a recently deceased filmmaker gains a new understanding of her father when she offers to create a retrospective of his work.

Redemption, violence, and faith define a young black man, a reckless white nationalist, and a pair of traveling vacationers during a random encounter within northern Idaho.

In the middle of a Texas summer, plans for a babysitter fall through and six-year-old Caroline is left in charge of her two younger siblings.

When it was first released in Argentina, Pablo Trapero’s film had the highest opening box-office of all time. The key to that success is simply that The Clan is based on one of the most shocking crimes in the country’s history, the Puccio Clan case. In 1985, the news broke that the Puccios, a well-established Catholic family with five children from San Isidro, an upper-class suburb of Buenos Aires, kidnapped and held people hostage for ransom in their own home. The film is a disturbing, impressive, and beautifully controlled interpretation of those events, with Guillermo Francella’s magnificent depiction of the father, a performance for the ages.

Rational, exacting, and self-controlled theater director, Henrik Vogler, often stays after rehearsal to think and plan. On this day, Anna comes back, ostensibly looking for a bracelet. She is the lead in his new production of Stindberg’s “A Dream Play.” She talks of her hatred for her mother, now dead, an alcoholic actress, who was Vogler’s star and lover. Vogler falls into a reverie, remembering a day Anna’s mother, Rakel, late in life, came after rehearsal to beg him to come to her apartment. He awakes and Anna reveals the reason she has returned: she jolts him into an emotional response, rare for him, and the feelings of a young woman and an older man play out.