A group of friends trying to repair their strained relationships decide to spend the weekend camping at a music festival. En route they stop off at a small town in the middle of rural Ireland. However, this seemingly idyllic country town is darkened by a history of strange events. Can a town that is inherently evil literally tear them apart? Can they survive…. The Devil’s Woods.
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In Roman Polanski’s first English-language film, beautiful young manicurist Carole suffers from androphobia (the pathological fear of interaction with men). When her sister and roommate, Helen, leaves their London flat to go on an Italian holiday with her married boyfriend, Carole withdraws into her apartment. She begins to experience frightful hallucinations, her fear gradually mutating into madness.
After being abducted by extraterrestrials, Jean and her friends are committed to a top secret government-run mental institution to undergo tests and be brainwashed.
Peaceful, rustic Metzburgh is a quiet village which was a former industrial town whose glory days are long past after the collapse of Metzburgh Grain. Teenager Mark Lowe (Jason John Beebe) and his ex-girlfriend Lucy Greenheart (Sarah Manzella) are stuck in a lovers quarrel when a meteorite crash lands in the passive community. Glen (Robert Bozek ), an ex-employee of the grain silos who became homeless after the collapse of the mills, stumbles upon the fiery crash. Unaware that his find could be dangerous, he gets too close and a chemical poison sprays out of the meteorite, enveloping him. The chemical agent known as Ombis begins to turn his insides into a slimly substance. Unable to stop the spread of the infection, Glen runs onto the road where Mark and Lucy find him. The two take him to the only Doctor in town, Doctor D (Deborah Manzella) Mark and Lucy are shocked by their gruesome discovery and immediately contact the local Sheriff Thomas Brackett (Richard Satterwhite).
A young man and his four younger siblings are plagued by a sinister presence in the sprawling manor in which they live.
The Old Dark House style mystery thriller gets an affectionately murky makeover in director Jack McHenry’s Agatha Christie-meets-Lucio Fulci feature debut. In stunning Black & White, with cut-glass British accents and a dodgy American in the cocktail party mix, a sophisticated 1930s soiree at an isolated country mansion descends into carnage, gore and demonic possession as rivalries and old friendships are put to the test when a gateway to Hell opens up.
Katherine Morrissey, a former Christian missionary, lost her faith after the tragic deaths of her family. Now she applies her expertise to debunking religious phenomena. When a series of biblical plagues overrun a small town, Katherine arrives to prove that a supernatural force is not behind the occurrences, but soon finds that science cannot explain what is happening. Instead, she must regain her faith to combat the evil that waits in a Louisiana swamp.
A group of drunk teenagers accidently set free the spirit of a warlock, which possesses a scarecrow. The scarecrow goes on a bloody rampage killing the descendents of the men who had killed the warlock a century before. A newcomer and the daughter of the mayor try to stop it before it is too late and the warlock can reincarnate…
When Virginia and her husband Jack spend a long weekend in the idyllic countryside, they encounter a creature that tears their lives apart. While the attack has an effect on each of them, it brings out the worst in Jack.
At a time when Pak Wiryo found it difficult to die because he had a ‘hold’, the children of his first wife and second wife were fighting over the inheritance.
Having lost her beloved father at an early age, Yuri lives with her mother and younger brother. Yuri’s mother meets a new man, but they are deeply in debt and forced to leave their home. Yuri is then forced to take a job as a call girl to support her brother. One day Yuri’s brother becomes ill but since Yuri has to work, she unwillingly leaves him at home. When she returns, she finds him dead in the bathtub. Her heart is scarred with regret and she suffers with a pain that will never go away. After some time has passed, Mayu, a colleague of Yuri’s, tells her about a mysterious mobile app that is rumored to enable its user to talk to the dead. Yet, it comes with a warning: Never reply if the dead soul says, “I want to see you.” Because she blames herself for her brother’s death and will do anything to tell him how sorry she is, Yuri downloads the app and reaches out to her dead brother. Meanwhile, the app’s users begin to die.
