Amid a future war between the human race and the forces of artificial intelligence, a hardened ex-special forces agent grieving the disappearance of his wife, is recruited to hunt down and kill the Creator, the elusive architect of advanced AI who has developed a mysterious weapon with the power to end the war—and mankind itself.

Immortalised as one of the most scintillating and uplifting Christmas songs, ‘Carol of the Bells’ adapted from a popular and loved Ukrainian folk melody, came to represent the spirit of brotherhood and unity all over the world. The peaceful and neighbourly existence of three families, Polish, Ukrainian and Jewish, sharing a large house, musical evenings and merriment in the city of Stanislaviv in the years preceding and post war, is shattered. First in the Soviet occupation and the persecution of the Polish family, then, by the Nazi occupation of Ukraine, and the decimation of the Jewish family. Sacrificing their lives the Ukrainian family manage to save their neighbours’ children and their own daughter. Death and loss come to these families, but the healing power and joy , and a promise that the Future Will Not be Cancelled which “Carol of the Bells’ evokes will be everlasting.

As adults, best friends Julien and Sophie continue the odd game they started as children — a fearless competition to outdo one another with daring and outrageous stunts. While they often act out to relieve one another’s pain, their game might be a way to avoid the fact that they are truly meant for one another.

As the three out-of-towners toast the end of their journey, someone at the bar is watching them and setting a deadly trap. Now, as closing time draws near, a night of unspeakable horrors is about to begin. Jesse Archer (Violet Tendencies, Going Down in LA-LA Land) and Ronnie Kroell (Eating Out: Drama Camp, Bravo’s Make Me a Super Model) headline in this bold, uncompromising thriller that plunges into the depths of human depravity. With its unpredictable plotline and raw performances, Into the Lion’s Den is a twisted nightmare that viewers won’t soon forget.

Minnie Goetze is a 15-year-old aspiring comic-book artist, coming of age in the haze of the 1970s in San Francisco. Insatiably curious about the world around her, Minnie is a pretty typical teenage girl. Oh, except that she’s sleeping with her mother’s boyfriend.

As members of ESWAT, the elite forces serving Olympus, Deunan and Briaereos they are deployed everywhere trouble strikes. Olympus finds itself under a stealth attack – cyborg terrorism, deadly nanotech zealots, and rioting citizens are just some of the threats that Deunan must contend with as she fights to save Olympus!

Members of the Baltatzis family recount the 1922 burning of Smyrna, Greece, including the assault on vibrant Greek and Armenian communities.

The once unconditional friendship between police officers Vincke and Verstuyft hits a very rough patch when they come up against a series of gruesome murders. Complicating matters even further, a survivor of the killer drives a wedge between them when Verstuyft falls for her charms. Meanwhile, the serial killer has a new victim in sight…

A brutal account of how real-life, hard-as-nails Falklands War veteran Tony Tucker came to be involved in one of the most notorious gangland murders in British history.

A man and his son take an allegorical stroll through life with a talking bird that spouts social and political philosophy.

The early years of a television sports powerhouse are chronicled as ABC becomes a player in the NFL coverage by putting their full resources into a major showcase. Executive Roone Arledge recruits former Dallas Cowboys quarterback ‘Dandy’ Don Meredith, Keith Jackson, and the combative Howard Cosell as commentators for the broadcasts, which become funny, odd trio events to millions of viewers. Jackson departs the show after the first year to take over the network’s focus on college football, and former New York Giants star Frank Gifford takes his place, ruffling Cosell’s feathers. Then things get really crazy!

Filmmakers James Franco and Travis Mathews re-imagine the lost 40 minutes from “Cruising” as a starting point to a broader exploration of sexual and creative freedom.