The hottest biotech company in the world has discovered they can clone history’s most influential people from the dead. Now, they are auctioning clones of Michelangelo, Galileo, Vivaldi, and others for tens of millions of dollars to the world’s ultra-rich. But when they steal the Shroud of Turin and clone the DNA of Jesus Christ, all hell breaks loose.
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After a car crash, a criminal psychologist (Halle Berry) comes to, only to find that she’s a patient in the same mental institution that currently employs her. It seems she’s been accused of murdering her husband — but she has no memory of committing the crime. As she tries to regain her memory and convince her co-workers of her innocence, a vengeful spirit uses her as an earthly pawn, which further convinces everyone of her guilt.
As London is submerged below floodwaters, a woman gives birth to her first child. Days later, she and her baby are forced to leave their home in search of safety. They head north through a newly dangerous country seeking refuge from place to place.
Farmer Vincent kidnaps unsuspecting travellers and is burying them in his garden. Unfortunately for his victims, they are not dead. He feeds his victims to prepare them for his roadside stand. His motto is: It takes all kinds of critters…to make Farmer Vincents fritters. The movie is gory, but is also a parody of slasher movies like Last House on the Left.
A young pathology med student suspects that the spirit of a dead cadaver in the hospital morgue where she works is killing off all those who handle or desecrate the body.
Threats from sinister foreign nationals aren’t the only thing to fear. Bedraggled college professor Michael Faraday has been vexed (and increasingly paranoid) since his wife’s accidental death in a botched FBI operation. But all that takes a backseat when a seemingly all-American couple set up house next door.
A detail of random people are told that they are a part of a live testing for data on their reactions in the woods without any technology at their disposal . . . when in reality they are the stars of a bored and twisted family who have gathered together for the holidays to watch them all die.
Amber Vickers is ecstatic that she will finally be making the walk down the aisle with her prince charming Luke. After multiple failed relationships, she was beginning to think that something was wrong; but her soon-to-be mother-in-law and best friend, Jill, believes that Amber is the picture-perfect daughter she never had. Everything is coming up roses until Sharon Vickers, Amber’s mother, arrives for a visit. Gaudy, straight-laced and opinionated, Sharon is the complete opposite of Jill. What was supposed to be a benign first meeting of the in-law’s quickly turns into a competition, as Sharon and Jill have widely differing views on life, love and marriage. As the weekend visit is coming to an end, Sharon takes matters into her own hands, rendering Jill incapable of escaping her house, and proving to her once and for all that no one comes between Sharon and her daughter.
Luke and his wife, Sarah, go on a trip to heal the pain of an affair by Luke. Sarah is only going to show her sister a good time. While on the trip both Sarah and her sister is kidnapped. Luke, with out his family, will have NOTHING LEFT. He’ll get them back or die trying.
After the apocalypse, all water is radioactive and deadly to drink. In this dystopian world, Gylian goes to extreme lengths to make sure her daughter gets the medication she needs to survive.
Frank Corvin, ‘Hawk’ Hawkins, Jerry O’Neill and ‘Tank’ Sullivan were hotdog members of Project Daedalus, the Air Force’s test program for space travel, but their hopes were dashed in 1958 with the formation of NASA and the use of trained chimps. They blackmail their way into orbit when Russia’s mysterious ‘Ikon’ communications satellite’s orbit begins to degrade and threatens to crash to Earth.
