Four desperate teenagers. A night of sexy mayhem. The big city. Or so the plan goes, until a series of misadventures later, Babai, Pele, Ria and Payal end up in a locked shopping mall in the dead of the night. Alone at last… until an old couple appears out of nowhere with a piece of folded leather and a glass container with two dice made of bone. A game. Simple, but deadly. They call it Ludo. A game defiled by a young couple centuries ago. An unbreakable curse, a living board, eons of bloodbath spanning the subcontinent. A game that has reached this city. Not just monsters, but prisoners of fate. Immortal lovers existing under a curse that will not die. They live within the game. Blood must spill. Bone must shatter. Beware the rattle of the Ludo dice.

On a lush tropical island, working under a secret government charter, Martin Drake has not only grown sprawling acres of giant vegetables, but inadvertently spawned two mammoth reptiles as well. Now they’ve broken free of their enclosures, and Drake has only one option: kill the creatures before word gets back to Washington and they close him down. When Drake’s first team of well-armed mercenaries gets wiped out within hours of setting down in the jungle, he turns to one lone hunter, The Cajun, to go in single-handedly. But will The Cajun be cunning enough to find the creatures and destroy them before they turn the blue waters red with the blood of tourists. The only hope is to bring the monsters together and make them fight. When one emerges victorious, that will be the time to strike and kill the other. It’s a risky plan, but ultimately the only one that may work. One of David Carradine’s last movies.

Twenty-three years after her hooker mother tried to kill her in the womb Helen remains damaged psychological goods. A mindset that gets worse when she suffers a traumatic head injury in an accident. Awakening in hospital, it’s discovered Helen has a tumour growth in her brain causing her to experience dark visions, disembodied voices and the omnipresence of a strange young woman. Soon, lost in a walking nightmare, in which nothing is what it seems, and her vicious actions barely remembered, it becomes crystal clear that whatever is inside her cracked psyche will stop at nothing to get out.

A pair of investigators team up with a Special Forces Unit to venture deep inside a war raging between the military and a massive army of Nazi Zombie Stormtroopers. Their mission is to fight their way behind enemy lines, locate the technology at the source of this growing threat and prevent the seemingly inevitable rise of the 4th Reich.

Nearly murdered as a child by her mother, a woman (Katrina Law) returns to the house where her mom went mad.

Abby is a pregnant woman with a curious new boarder in the apartment over her garage. Turns out he’s heaven-sent and is speeding along the Apocalypse by bloodying rivers, egging on plagues and following scripture word for word.

Five friends embark on a weekend of partying at a secluded cabin, where unbeknownst to them a murderous space vampire lurks in the shadows.

The relationship between two neighboring farm families are strained when one of them chooses to lease their land to an oil and gas company. In the midst of growing tension, the land is drilled, and something long dormant and terrifying, deep beneath the earth’s surface is released. “Unearth” is about the horrifying repercussions sown by short-sighted decisions, and what our children reap from our actions.

A group of teenagers, taking a nocturnal hayride come across the grave of a man. Little did they know that this deceased man is a zombie. One by one, the actual living are falling victim and becoming zombies. Eventually there are zombies everywhere, and someone needs to stop them, but who?

A weekend getaway for a few friends at a snowy hotel becomes a psychological tailspin and bloody nightmare.

Writer/director Curtis Harrington does an admirable job working around the severe budget limitations of the 1961 psychological chiller Night Tide. Sailor Johnny (Dennis Hopper) falls in love with carnival-girl Mora (Linda Lawson), despite warnings that Mora is a “jinx” who has brought about the deaths of two previous suitors.

A day trip takes a turn for the worse when a group of friends investigate an abandoned house. The nightmare’s quickly become a reality when they’re forced to face their own personal fears, and survive a night in The House of Inequity.