A brutal crime has repercussions seven years later.
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As a boy, Dominik watched an American crime boss murder his father, a police officer fighting corruption in Sofia, Bulgaria. Years later, he attempts to avenge his father’s death but is imprisoned for 15 years for attempted murder. In prison, he meets an American photo-journalist who shares his enemy and his thoughts of revenge. Released from prison, the two hatch a plot which involves the man’s recently-arrived daughter.
After working as a drug courier and getting into a brutal shootout with police, a former boxer finds himself at the mercy of his enemies as they force him to instigate violent acts that turn the prison he resides in into a battleground.
Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.
The adventures of a group of friends who plan to recover crates full of gold from a fall in Canada.
Two playwrights, George and Charlie, are tasked with the challenge of creating the next “avant-garde, surrealistic, mind-bending neo-noire thriller”. As they write, the story comes to life in real time. However, their own emotions and arguments also begin to manifest on film, creating sharp twists and turns that affect the entire movie. Filled with hilarity and chaos, Murder, Anyone? is a comedic play-within-a-play-within-a-movie that contemplates the complexities of language, art, theater, film and more.
Directed by Ian Gabriel, “Four Corners” revolves around a 13-year-old chess whiz drawn into the Cape Town’s well-known child-gang culture. Touted as the first film to delve into the 100-year-old war between South Africa’s so-called Number gangs, the 26 and the 28, it blends the Sabela, Tsotsi-taal and Cape Afrikaans dialects and mixes established talents with non-actors and first-time thesps from schools and communities across the Cape Flats.
In a Russian coastal town, Kolya is forced to fight the corrupt mayor when he is told that his house will be demolished. He recruits a lawyer friend to help, but the man’s arrival brings further misfortune for Kolya and his family.
Can and his girlfriend, Jale, live with their young daughter, Meral, in a tough Turkish neighbourhood of Berlin and barely manage to scrape enough money together for their existence. Can is a small-time dealer and errand-boy for drug boss Hakan, who has to keep his customers supplied within his narrowly staked out territory. Jale, who works in the ware-house of a department store, has been pressing Can to give up this activity. Can, also fed up with his situation, sees a bright new beginning for himself and his family when Hakan offers him the prospective chance to run a bar on his very own. But Can has little control over the pressures that gradually begin to build up around him and soon finds himself floundering in quicksand.
Defence lawyer Emi is assigned to a particularly unusual case: a man is suspected of murdering his wealthy wife, and his only alibi is a 421-year old ghost, Rokubei. At first Emi is hesitant, but when she pursues her lead she is visited by the ghost herself. And so the fun begins in the courtroom when Prosecutor Osano starts to cross examine.
