The physical evidence left behind warns us of another judgment to come, but when? The second film in THE DAYS OF NOAH series, “Judgment Hour,” answers this question. Just before the Flood, Noah gave a judgment hour message to the world and likewise, a prophecy foretold at the end of time another message would go forth to the world declaring “the hour of His judgment is come.” (Rev 14:6) As the judgment hour message proclaimed by Noah invited the people to find mercy and refuge in the Ark, so too, this judgment hour message for the last generation contains the instructions whereby man might find mercy and refuge in the last Ark before the destruction of the world by fire.
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The film explores the past, present, and future relationships between technology, vision, and power. From arcane theories of sight to the emergence of virtual reality and police body camera programs, the film takes a kaleidoscopic investigation into how the reality of what we see is constructed through the tools that we use to see.
A magic realist fable about invisible elves, financial collapse and the surprising power of belief, told through the story of an Icelandic woman – a real life Lorax who speaks on behalf of nature under threat.
When Jack and Beata Kowalski are wrongfully accused of child abuse after their 10-year-old daughter Maya visits the ER, a nightmare unfolds.
A documentary on HMS Victory, Admiral Nelson’s flagship at the battle of Trafalgar.
An audition for men aged between 16 and 99. There are no props nor make-up, just pure improvisation. All that is required is the willingness to engage openly with the topic and language of the words on the page. No small challenge, since the text in question is the scandalous novel published anonymously in 1906 “Josefine Mutzenbacher, or the Life Story of a Viennese Whore, as Told by Herself” which, as this film confirms, continues to be the subject of passionate and controversial discussions about desire, even today. What might be world-class pornographic literature for some is seen by others as an abusive depiction of child sexuality.
Talib Shah Hossaini, a 37-year-old Afghan filmmaker and asylum-seeker, lives in Moria on the Greek island of Lesbos – the biggest refugee camp in Europe until it burnt to the ground in autumn 2020. One year into his life in the camp, Talib Shah finds himself on the verge of losing hope. Instead of giving up, however, he decides to shoot a film called Picnic − an insider’s look at the lives of thousands of refugees stuck in a place sometimes described as a humanitarian disaster. Exploring topics such as dreams versus reality, art as a means of survival, or the current immigration policies in Europe, the film invites us to become better acquainted with the people who will soon be our neighbours.
A wide-ranging, definitive look at Hawk’s life and iconic career, and his relationship with the sport with which he’s been synonymous for decades, featuring unprecedented access, never-before-seen footage, and interviews with Hawk and prominent figures in the sport including Stacy Peralta, Rodney Mullen, Mike McGill, Lance Mountain, Steve Caballero, Neil Blender, Andy MacDonald, Duane Peters, Sean Mortimer, and Christian Hosoi.
From space, our planet appears as a tiny blue dot in the vastness of space. Blue, because 99% of all living space on Earth occurs in the Ocean. But the seas are under threat. The industrialization that has occurred in the oceans over the last century mirrors the events that triggered mass extinctions on land. As we learn of the ecological crimes occurring worldwide, we also uncover the shocking truths happening on our own shorelines.
Follows the evolution of the female fronted superhero characters in comics from the 1940s and up to today. Detailing the influences of what made the characters and how they impacted on the comic book world.
On November 15, 2013, the world came together to grant one 5-year-old leukemia patient his wish to be Batman for a day. “Batkid Begins” looks at why and how this phenomenon took place, becoming one of the biggest “good news” stories of all time.
Gianluca Vacchi – Mucho Más is an unprecedented journey through the secrets and fragilities of a true lifestyle pop star, a portrait that goes beyond fame, wealth and irreverence, showing the man behind the celebrity.
Griffin Dunne’s years-in-the-making documentary portrait of his aunt Joan Didion moves with the spirit of her uncannily lucid writing: the film simultaneously expands and zeroes in, covering a vast stretch of turbulent cultural history with elegance and candor.