Five single people try to figure out dating in the age of social media, texting, hanging out and hooking up.
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Actor/comedian Jim Breuer, best known from Saturday Night Live and the film Half Baked, set out in 2008 on his first stand-up tour in six years, taking his 84 year-old father along for the ride of his life. While struggling with the chores of caregiving and coming to terms with his father’s mortality, Jim is determined to strengthen their relationship while on the road. Funny and raw, More Than Me is an intimate story of growing up and growing old.
Using raw, firsthand footage, this documentary examines the disappearance of Shanann Watts and her children, and the terrible events that followed.
After losing sight in 1983, John Hull began keeping an audio diary, a unique testimony of loss, rebirth and renewal, excavating the interior world of blindness. Following on from the Emmy Award-winning short film of the same name, Notes on Blindness is an ambitious and groundbreaking work, both affecting and innovative.
The stand-up comedian is a special breed, both an artist and an artisan. They work by painstakingly developing a persona, scripting and editing an act, and revising it on the spot to suit the energy of a given audience. If the audience does not grasp the countless hours crafting the routine, and the empathic micro-calculations, then the act was a success… well, as long as it was funny.
This in-depth documentary explores the dark side of American higher education, exposing predatory for-profit colleges and the tactics they use to defraud students and the government.
Game Face shows the quest to self-realization of LGBT athletes and the acceptance in society. The film follows athletes during their coming out process, and sheds light on the obstacles LGBT sports players deal with throughout their career.
The time has come for a ski film that stands for something. Join us as we unite spectacular cinematography with creative cinematic language to fuse our passion for skiing with our potential to help the environment. In bringing the planet to life and drawing parallels between our daily existence, we find common ground between the global situation and the real individual. Epic natural cinematography, ground breaking skiing from Chile to Greenland, and an environmental engagement that creates an accessible identification point for the viewer, leaving them with an inspiring new perspective.
Michael Sheen faces the interview of a lifetime with The Assembly, a group of autistic, neurodivergent, and learning disabled people. Expect revelation, chaos, and a lot of laughs.
2016 marks the 500th anniversary of the death of Hieronymus Bosch. It is almost the only information about the artist of The Garden of Earthly Delights that we can put a precise date to. Bosch, the garden of dreams is a film about his most important painting and one of the most iconic paintings in the world: The Garden of Earthly Delights.
Interviews with T.J. Miller, Pete Holmes, Marc Maron, Doug Benson, Jim Norton, Judah Friedlander, Alonzo Bodden, Maria Bamford, Jen Kirkman, Auggie Smith, W. Kamau Bell, Nikki Glaser, Wayne Federman, Seth Milstein, Oni Perez, Alysia Wood, Kris Tinkle, Traci Skene, Brian McKim, Tim O’Rourke, Tom Rhodes, Kyle Kinane and yours truly.
The story of the unprecedented sports shutdown in March of 2020 and the remarkable turn of events that followed. This sports documentary is a chronicle of the abrupt stoppage, athletes’ prominent role in the cultural reckoning on racial injustices that escalated during the pandemic, and the complex return to competition in the summer and fall.
If you thought TV shows in which audiences and juries judge musical acts were a relatively new phenomenon, you’d better think again. In the 1970s, such “festivals” were incredibly popular in Brazil. They were recorded before a live studio audience, and usually featured a number of elimination rounds. They also formed the springboard for the career of many a big-name star, such as Chico Buarque, Caetano Veloso, Roberto Carlos and Gilberto Gil. Appearing on such a program was no cakewalk, however: audiences could be as wild in their condemnation as in their appreciation of an artist. Extensive archive footage (including performances and behind-the-scenes interviews) from a turbulent final of the Festival of Brazilian Popular Music one evening in 1967 paints a fascinating picture, not only of the transformation of Brazilian music into real “festival” music, but also of a society starting to buck against the yoke of military rule.