The Advocate for Fagdom unites the puzzle pieces one by one. Testimonies are combined with rare archive images. Art galeries present movie extracts that are succeeded by images shot on location. And the other way round. Writers, film makers, art galeries owners, actors and actresses, photographers, producers, friends and loved ones all join in a game of interpretation, analysis or simple anecdotes. John Waters, Bruce Benderson, Harmony Korine, Gus Van Sant, Richard Kern, Rick Castro and others deliver their impressions, theories and confessions. Everything blends into the fascinating portrait of a singular person blessed with singular talents. A complex personality at war not with a system but all systems. The portrait of a man constantly moving between his punk attitude and extreme sensibility.

1 in 5 Americans are diagnosed with mental illness every year. Suicide is the second most common cause of death in the US for youth aged 15-24, and kills over 48,300 in the US and 800,000 people globally per year. Drug overdose kills 81,000 in the US annually. The autoimmune disorder epidemic affects 24 million people in the US alone. What is going on? The interconnected epidemics of anxiety, chronic illness and substance abuse are, according to Dr Gabor Maté, normal – but not in the way you might think.

A daughter and her 60-year-old mother’s arduous 2,300-kilometre trek to Alaska is the thread that binds these intimate portraits together.

‘Smiling Through the Apocalypse’ chronicles a man whose editorial instincts produced one of the greatest magazines ever: Harold Hayes, the swinging editor and cultural provocateur of the iconic Esquire Magazine of the Sixties. Through the narrative of his son Tom, a journey ensues opening unprecedented access to some of the Esquire magazine’s most compelling talents, from Nora Ephron to George Lois, and Tom Wolfe to Gore Vidal. The film is a story of risk, triumph, and challenge told by the people that helped make the magazine great, and a son who only come to understand his father’s editorial greatness 23 years after his passing.

G.G. Sparrow faces off with her choir’s newly appointed director, Vi Rose Hill, over the group’s direction as they head into a national competition.

A political thriller examining the complex relationship between the United States and Saudi Arabia, and how the murder of Washington Post journalist Jamal Khashoggi amplified entanglements between the two countries.

Two hapless waiters in a tavern on the Spanish Main play cupid between aristocratic Lady Jane and tavern co-worker Bruce Martindale, but the two bumpkins mix-up a love letter with Captain Kidd’s treasure map of Skull Island, leading to them being kidnapped and taken off to the notorious pirate’s island.

Directed by Al Reinert and with music scored by Brian Eno, “For All Mankind” provides a testament to NASA’s Apollo program of the 1960s and ’70s. Composed of actual NASA footage of the missions and astronaut interviews, the documentary offers the viewpoint of the individuals who braved the remarkable journey to the moon and back. While compiling the material for the film, Reinert went through more than six million feet of film of these historic moments.

His love of film began as an escape from a rocky childhood. From underdog to Hollywood legend, Sylvester Stallone tells his story in this documentary.

Children Underground follows the story of five street children, aged eight to sixteen who live in a subway station in Bucharest, Romania. The street kids are encountered daily by commuting adults, who pass them by in the station as they starve, swindle, and steal, all while searching desperately for a fresh can of paint to get high with.

A documentary on a former Miss Wyoming who is charged with abducting and imprisoning a young Mormon Missionary.

The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.