In the early days of Nazi Germany, a powerful noble family must adjust to life under the new dictatorship regime.
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After getting dropped by her publisher, celebrated novelist Hannah Ryan uses the negative forces in her life to inspire the creation of a pulp crime serial that posts new chapters to subscriber’s devices every week. The initial release is a modest success but the work becomes a massive hit after a real life murder takes place that bears a striking similarity to Hannah’s story. Is it really just a coincidence or is it possible that a copycat serial killer is acting out the fictitious murders in real life? And is he going to strike again once Hannah releases her next chapter?
At the times of World War II, accomplished painter and translator Aram flees Istanbul due to political offenses. When he is trapped at the USSR-Georgia borders, his flight turns into a remembrance of things past…
Anna’s story takes place on Åland Island in 1666, during the beginning of the most widespread and systematic witch-hunts in Scandinavian history. In all, 16 women were convicted of being in league with the devil, and seven of them were executed. For Judge Psilander, who has mastered the newest witch theories of the time, the trials are meant to cleanse the island of superstition, to have science and common sense prevail. The main character, the intelligent and stubborn Anna, gets an intimate view of the events, having just started working as a maid in the judge’s house. To Anna’s misfortune, she falls intensely in love with her friend Rakel’s husband Elias, but his infatuation with her quickly fades. A hurt and jealous Anna decides to get revenge and falsely reports Rakel to Judge Psilander. It’s only when Rakel is arrested, and things get out of hand, that Anna realizes the gravity of her doings.
Harper, a writer who’s about to explode into the mainstream leaves behind his girlfriend Robin and heads to New York City to serve as best man for his friend Lance’s wedding. Once there, he reunites with the rest of his college circle.
When a billionaire entrepreneur impulsively decides to create an iconic movie, he demands the best. Renowned filmmaker Lola Cuevas is recruited to mastermind this ambitious endeavour. Completing the all-star team are two actors with massive talent but even bigger egos: Hollywood heartthrob Félix Rivero and radical theatre actor Iván Torres. Both are legends, but not exactly best friends. Through a series of increasingly eccentric trials set by Lola, Félix and Iván must confront not only each other, but also their own legacies. Who will be left when the cameras finally start rolling?
Dr. Martin Blake, who has spent his life looking for respect, meets an 18-year-old patient named Diane, suffering from a kidney infection, and gets a much-needed boost of self-esteem. However, when her health starts improving, Martin fears losing her, so he begins tampering with her treatment, keeping Diane sick and in the hospital right next to him.
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O’Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.
Twenty-three-year old Peter Foster is an only child who lives at home, where he constantly hears his parents arguing. Because Peter does nothing all day, the family goes to a clinic where a therapist videotapes them. After Peter watches his tape, he views the tape of a troubled Armenian family, who gave their only son away for adoption when they arrived in Canada. Peter decides to visit this family, and he pretends to be their son, Bedros Deryan. The Deryan family welcomes him with open arms, and Peter tries to patch up the poor relationship between George Deryan and his daughter Azah.
Ex Con Armstrong Cane (Ving Rhames) returns to home a changed man looking to take over his father’s old church and congregation. The neighborhood though is full of drugs and gangs. Those who are able are leaving for more prosperous areas and falling in with a slick preacher (Ricardo Chivara). Even with a dangerous gang leader (Dean McDermott) threatening his flock, Armstrong won’t give up.
An outrageous erotic poem focusing on the daydreams of a beautiful boy prostitute who, from the seclusion of his ultra-kitsch apartment, conceives a series of interlinked narcissistic fantasies populated by matadors, dancing boys, slaves, and leather-clad bikers.