A polar bear breaks out of his enclosure to bring a little girl’s teddy bear back to her. While she cares for him, the bear takes her on a magical journey. Based on Raymond Briggs’ best selling storybook, this enchanting animated tale is from the makers of The Snowman.

Part religious allegory and part church pageant, it presents the heavenly trial of a woman who has died giving childbirth out of wedlock. The jailer wears a mask death’s head mask and a nun’s habit with a skull and crossbones on the front and God sits on an altar, flanked by angels, while the devil attempts to convict the woman for her sins. Shot with a handheld camera that doesn’t always remain steady or keep the scene in frame, it is full of religious imagery and evocative folkloric elements, with flashbacks to the woman’s life that provide a realism in sharp contrast to the allegorical pageantry. It shows its amateur origins, the texture, the pageantry, and the allegorical and ritualistic elements also looks forward to the American Underground cinema of Kenneth Anger, Curtis Harrington, and others in the 1950s and 1960s.

After several years together, William and Cecilie break up. To treat the sorrow with love the same night they decide to do the drug MDMA together. This results in a emotional roller coaster ride over a whole weekend, where they’re isolated together in their apartment.

A distant father is forced to confront a heroic but troubled past life as ’80s TV character Pombo.

A great comedy about how to win at tennis by playing dirty.

It’s winter. Sami is interned in a psychiatric institution. On a visit day, his mother and sister tell him their horse died.

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A young European actress has just arrived in Singapore and already wants to leave it. The promise of a new world of opportunities has faded away and only left the falseness of the modern Asian cities. The wise taxi driver who is bringing her away will show her how beautiful Singapore can be.

Monica and Lisa take their relationship to the next level despite one’s patience and sexuality becoming in question.

A grieving mother latches on to a magical surrogate for her lost child. But small miracles come with big consequences.

Although he has been limited to bit parts, the actor Tony Longo is an axiom of American action cinema: the giant who is too soft-hearted for the job. Composed of three short movies, Hey, Asshole!, Adam Kesher and You Fucking Dickhead!, The Tony Longo Trilogy brings together all of the actor’s scenes in three of his most memorable films: The Takeover (Troy Cook, 1995), Living in Peril (Jack Ersgard, 1997) and Mulholland Dr. (David Lynch, 2001).

In The Farmer’s Llamas the wily sheep bluffs his dim-witted farmer master into bidding for three llamas at a county fair. Once they show up at the farm, however, they cause such chaotic destructive mayhem that Shaun has to carefully remove them – high speed chases, careful rooftop scrambles and dangerous falls ensue.