Teenager Ben Mockridge feels life in a Wild West farm town has nothing better to offer then horse-cart racing with other hicks, so he naively begs cattle company owner Frank Culpepper to engage him as youngest cowboy for a long cattle trail to a fort, his mother barely notices. Ben doesn’t even seem to get it when he’s told to report as ‘little Mary’ to the old cook, whose words cowboy is something you do only if you have nothing better gradually become clear. Instead of an exciting heroic macho life, it’s endless hard work, dumb chores and embarrassment, even getting literally caught with his pants down, robbed of his horse, witnessing unpunished crimes…
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The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.
Hoppy goes undercover as an outlaw (which permits him, for once, to drink and be mean to children) to track down a bunch of outlaws operating along the border. Loco, the head bad guy, deflects suspicion from himself by pretending to be a moron.
Hell bent on avenging the death of his father, Johnny Black vows to gun down Brett Clayton and becomes a wanted man in the process while posing as a preacher in a small mining town that’s been taken over by a notorious Land Baron.
When a handful of settlers survive an Apache attack on their wagon train they must put their lives into the hands of Comanche Todd, a white man who has lived with the Comanches most of his life and is wanted for the murder of three men.
When US Marshal Moses White is called to the Wyoming Territory town of Dogwood Pass he never realized the corruption and deceit that awaited his arrival. Sometimes one small seed of seduction and greed planted in the right situation can cause a whole town to go bad. One bad character leads to another and it all starts with a dead husband in a western town.
After a cavalry group is massacred by the Cheyenne, only two survivors remain: Honus, a naive private devoted to his duty, and Cresta, a young woman who had lived with the Cheyenne two years and whose sympathies lie more with them than with the US government. Together, they must try to reach the cavalry’s main base camp. As they travel onward, Honus is torn between his growing affection for Cresta.
The prodigal son of a Yukon prospector comes home on a night that “ain’t fit for man nor beast.”
Apache Junction is an outpost of lawlessness, a haven for thieves and cold-blooded killers. After big-city reporter Annabelle Angel arrives to write an article on the town, she becomes a target when notorious gunslinger Jericho Ford comes to her aid. Now Annabelle must entrust her future to a man with a deadly past, as Jericho heads toward a tense showdown.
A trio of runaway slaves evade authorities in the Old West.
Half-breed Keoma returns to his border hometown after service in the Civil War and finds it under the control of Caldwell, an ex-Confederate raider, and his vicious gang of thugs. To make matters worse, Keoma’s three half-brothers have joined forces with Caldwell, and make it painfully clear that his return is an unwelcome one. Determined to break Caldwell and his brothers’ grip on the town, Keoma partners with his father’s former ranch hand to exact violent revenge.
Flame of the West has always attracted more attention than most of Johnny Mack Brown’s Monogram westerns, if for no other reason than the offbeat casting of Douglass Dumbrille. Usually seen in villainous roles, Dumbrille herein offers a sincere, effective performance as a scrupulously honest US marshal named Nightlander. When he takes on a gang of crooked gamblers, Nightlander is shot down in cold blood, compelling frontier doctor John Poole (Johnny Mack Brown) to put his Hippocratic oath on the back burner and strap on the shootin’ irons.
