The incredible story of one of the more bizarre places in America, and the unusual activity that has taken place there for decades.

In the aftermath of a tragic fire in a Romanian club, burn victims begin dying in hospitals from wounds that were not life threatening. A team of investigative journalists move into action uncovering the mass corruption of the health system and of the state institutions. Collective follows journalists, whistle blowers, and authorities alike. An immersive and uncompromising look into a dysfunctional system, exposing corruption, propaganda, and manipulation that nowadays affect not only Romania, but societies around the world.

A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.

A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.

A bold and unflinching documentary on ‘white flight’ in the area of Spanish Lake, Missouri, a post WW2 suburb. The town experiences rapid economic decline and population turnover due to racism and governmental policies which support the white exodus. The themes of the film parallel America’s growing political divide, racial tension, and rise of anti-government sentiment.

During Nazi occupation, red-headed Bent Faurschou-Hviid (“Flame”) and Jørgen Haagen Schmith (“Citron”), assassins in the Danish resistance, take orders from Winther, who’s in direct contact with Allied leaders. One shoots, the other drives. Until 1944, they kill only Danes; then Winther gives orders to kill Germans. When a target tells Bent that Winther’s using them to settle private scores, doubt sets in, complicated by Bent’s relationship with the mysterious Kitty Selmer, who may be a double agent. Also, someone in their circle is a traitor. Can Bent and Jørgen kill an über-target, evade capture, and survive the war? And is this heroism, naiveté, or mere hatred?

Modern industrialization is no longer about steam power, ocean ships, and railways. It’s about herd immunization, the mass drugging of our population, and the industrialized production of cheap, storable food. We’ve ended up with an entire society getting sicker and sicker while the industrial powers get richer and richer.

An American Army officer is recruited by the yet to exist Israel to help them form an army. He is disturbed by this sudden appeal to his jewish roots. Each of Israel’s Arab neighbors has vowed to invade the poorly prepared country as soon as partition is granted. He is made commander of the Israeli forces just before the war begins.

The story of Lynyrd Skynyrd; The Greatest American Rock Band Ever. We fly beyond Free Bird to celebrate the life & times of leader Ronnie Van Zant, from boogie-woogie beginnings in Jacksonville’s Shantytown to a tragic end in a Mississippi swamp.

The images could be taken from a science fiction film set on planet Earth after it’s become uninhabitable. Abandoned buildings – housing estates, shops, cinemas, hospitals, offices, schools, a library, amusement parks and prisons. Places and areas being reclaimed by nature, such as a moss-covered bar with ferns growing between the stools, a still stocked soft drinks machine now covered with vegetation, an overgrown rubbish dump, or tanks in the forest. Tall grass sprouts from cracks in the asphalt. Birds circle in the dome of a decommissioned reactor, a gust of wind makes window blinds clatter or scraps of paper float around, the noise of the rain: sounds entirely without words, plenty of room for contemplation. All these locations carry the traces of erstwhile human existence and bear witness to a civilisation that brought forth architecture, art, the entertainment industry, technologies, ideologies, wars and environmental disasters.

David Spade riffs on the humiliations of doctor visits, lemur season in paradise, falling for clickbait and the one selfie he can never get right.

Four best friends search for a legendary jazz musician on Central Avenue, Los Angeles in 1959.