In the beautiful Gulangyu Island, there is a special inn “Monkey Year”. Although the inn business is deserted, the innkeeper Hu Fan (Zhang Lei) is still waiting for vacation season. His past is unknown, even the overbearing waiter Ma Yue (who stays with him all the time) Dong Lifan also doesn’t know. Some people speculate that he is waiting for someone. On June 5th, 2016, the Year of the Monkey is coming, and the disheartened Hu Fan is considering closing the inn, but ushered in a “batch of” strange guests: four pairs of young people who are worried about each other, stayed in the inn
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Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
An ambitious young man struggles to achieve his dream of becoming an employee in a Munich luxury hotel despite being strongly visually impaired.
Swamy and Anand Chakravarthy are lookalikes. Swamy is a jobless guy, while Anand is the son of Nanda Gopal Chakravarthy, running a company called People Mart. Under dicey circumstances Pranavi, a pretty young girl falls in love with both of them. When JP, a monstrous corporate honcho seeks to acquire People Mart through unethical means, Anand and Swamy’s lives get intertwined.
When she’s about to fail in math – the subject she hates the most, Jasmine has to take booster classes with a cute young tutor, but who breathes numbers in everything he does. Facing family pressure and embarking on a risky love, she’ll need to overcome her fears and limitations to pursue her true dream: be an artist.
Taking all that was great from the first installment, ABCs OF DEATH 2 aims to be a wilder, leaner, faster paced and even more entertaining anthology this time around, with a new crop of award-winning, visionary filmmakers from around the globe.
Marriages are made in heaven! Though the road to heaven might be a little “tedha’. Meet ‘Manu’, a seedha saadha Doctor from London. Intelligent, temperate and from a respectable family, The perfect groom which every parent wants for their daughter. ‘Family pressure’ leads him to Kanpur to meet Tanu the quintessential small town girl who has studied in Delhi. Tanu is a smart, intelligent girl who will do everything that her parents will disapprove. With a mind of her own and a love for rebellion, Tanu is dead against an arranged marriage. But destiny holds something totally different for these dramatically diverse personalities. Their paths keep crossing time and again and weaves this wonderful story through the Indian heartland.
It is said that a corpse should be exhumed and moved every 30 years to ensure continued fortune and prosperity for its descendants. As the time limit is nearing for his grandfather’s corpse, TV station boss Kelvin Chow (Kelvin Kwan, Tales from the Dark 2) looks to Charlie Jiang (Yuen Biao), whose ancestors performed the ritual for the Chow family, to complete the task. When Jiang refuses, citing his belief that the ritual is unethical, Chow enlists Nicky and Boo to coerce him into it. However, a series of accidents causes the corpse to be delivered to and left at Chow’s TV station, unleashing a bloodbath.
Tom has just become a father and, along with his wife Elisa, he will learn firsthand how to take care of his daughter. Amid fun and exciting everyday situations, Tom discovers the real meaning of fatherhood. Loosely inspired by the bestseller Dad is Cool, by Marcos Piangers.
In Lyon, where many are unemployed, Marie is a prostitute who loves her work: she’s thoughtful and exuberant toward clients old and young, slim or flabby. One night, a homeless man sleeps in the foyer of her apartment house; she gives him a hot meal, then a place on the floor to sleep by her radiator, then she offers herself. She falls in love, giving him new life, clothes, a place to live. When he grouses that he must bar hop while she uses the flat for her work, she finds them a larger flat. He grows restless, seducing a manicurist and pressing her to prostitution. He’s arrested for procuring, so Marie must decide what to do; he, too, must face the consequences of his choices.
