A country singer dies prematurely, but cannot enter heaven until she performs a good deed back on earth.

A second movie based on Astrid Lindgren’s novel “Madicken och Junibackens pims”, which is about two sisters and their adventures in 1910s Sweden.

Comedians Kristin Hensley and Jen Smedley of the viral webseries #IMOMSOHARD bring you their 2-person stand-up show! Combining stand-up & improvisation, the two share their honest and self-effacing humor on topics ranging from friendship, periods, sex after marriage, body image, and parenting failures. Because, hey: You’re not in this alone, ladies.

The Willards from Terre Haute, Indiana travels abroad for the once-in-a-lifetime vacation in Paris, France. Harry Willard believes that the greatest problem will be avoiding tap water, but bringing his three children will prove to be more troublesome

Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

Recovery agent Teji and fashion designer Jinal dream of making it big in showbiz. Both win a ticket to a popular awards show in New York where they get a chance to showcase their talent. However, they soon realise that they are mere pawns in the hands of event manager Sophie, who wants to teach her boss a lesson.

In a neighborhood where fighting is stitched into the fabric of everyday life, Miguel has never found himself in one. However, when a combination of events turn his life upside down, Miguel and his friends enter into a series of misadventures.

This debut feature from Newfoundland’s G. Patrick Condon (Infanticide, Audition) is an inspired, meta take on the classic “cabin in the woods” horror trope. After squandering the money lent to him by a mysterious cinematic organization, a creatively frustrated writer / director, G. Patrick Condon, played by Stephen Oates (Frontier, Riverhead), has to take matters into his own hands by locking aspiring actress Grace (MJ Kehler) and the rest of the cast of actors in a rented house filled to the brim with security cameras and a script-spitting dot matrix printer. As time moves on, Condon slowly becomes the villain in his own movie by playing off the actor’s need to give the best performances they possibly can, while also satisfying his increasingly sinister demands; even if it kills them. Part Milgram Experiment, part A Cabin in the Woods, G. Patrick Condon’s Incredible Violence will have audiences talking for years to come.

A young couple spend the night in a restaurant, only to find out that it is haunted by three dead women who hunger for human flesh.

A lab accident gives a hound named Shoeshine some serious superpowers — a secret that the dog eventually shares with the young boy who becomes his owner and friend.

With his mom’s salon on the brink of bankruptcy, a dedicated son rolls up his sleeves to help and discovers himself as the coolest barber on the block.

Set in 1896, “Tjoet Nja’ Dhien” celebrates one of Indonesia’s great heroes who fought for independence from the Dutch. The pious Muslim people of Aceh, a city that had flourished since ancient times as a trade port, enter into a fierce war with the Dutch. Tjoet Nja’ Dhien, the widow of a rebel leader operating in Aceh in Sumatra, assumes the leadership when her husband Teuku Uma is killed in an ambush. Dhien’s charismatic presence and power of survival motivate the locals to join and later continue their opposition to the Dutch. Despite personal obstacles, she remained in the thick of the struggle for ten years.