Three girls living in Los Angeles, CA in the 1980s found cult fame when they “accidentally” transitioned from models to B-movie actresses, coinciding with the major direct-to-video horror film boom of the era. Known as “The Terrifying Trio,” Linnea Quigley (The Return of the Living Dead), Brinke Stevens (The Slumber Party Massacre) and Michelle Bauer (The Tomb), headlined upwards of ten films per year, fending off men in rubber monster suits, pubescent teenage boys, and deadly showers. They joined together in campy cult films like Sorority Babes in the Slimeball Bowl-a-Rama (1988) and Nightmare Sisters (1987). They traveled all over the world, met President Reagan, and built mini-empires of trading cards, comic books, and model kits. Then it all came crashing down. This documentary remembers these actresses – and their most common collaborators – on how smart they were to play stupid

In 1934, Bolivia is at war with Paraguay. Liborio and Ticona and other Bolivian indigenous soldiers are lost in the hell of the Chaco, under the commandment of German Captain Kundt. They’re looking for the Paraguayan enemy that they haven’t seen for months, and that they will never find. They leave together in a search that will make them realize, progressively, the destiny they have been pushed into and the inevitable condition of a defeated troop. They’re walking like shadows, wandering forever in the middle of dust and silence.

On April 18th, 2017, Larry Bassett refused to pay federal income taxes on over $1 Million, becoming the top tax resister in US history. In his defiance, he wrote letters to U.S. government agencies and representatives, announcing that his conscience will not allow him to pay for the US war machine. He knows that breaking the law will bring retribution from the government, and he accepts the consequences of his actions. In fact, he’s begging for their retaliation as his family and neighbors worry about his safety.

James Brown changed the face of American music forever. Abandoned by his parents at an early age, James Brown was a self-made man who became one of the most influential artists of the 20th century, not just through his music, but also as a social activist. Charting his journey from rhythm and blues to funk, MR. DYNAMITE: THE RISE OF JAMES BROWN features rare and previously unseen footage, photographs and interviews, chronicling the musical ascension of “the hardest working man in show business,” from his first hit, “Please, Please, Please,” in 1956, to his iconic performances at the Apollo Theater, the T.A.M.I. Show, the Paris Olympia and more.

The titular troublemakers are the New York–based Land (aka Earth) artists of the 1960s and 70s, who walked away from the reproducible and the commodifiable, migrated to the American Southwest, worked with earth and light and seemingly limitless space, and rethought the question of scale and the relationships between artist, landscape, and viewer. Director James Crump has meticulously constructed Troublemakers from interviews (with Germano Celant, Virginia Dwan, and others), photos and footage of Walter De Maria, Michael Heizer, Robert Smithson, Nancy Holt, and Charles Ross among others at work on their astonishing creations.

In the Bahamas, more than 30% of dolphins have shark-bite scars. With a never-before-seen non-toxic gel bite pad and life-sized dolphin decoy, Dr. Mike Heithaus and Dr. Valeria Paz collect bite impressions from three shark species that might be the predators. Bites from bull sharks, tiger sharks and great hammerheads — up to 14 feet long — are compared to scars photographed on dolphins.

This 2006 documentary film chronicles the life of Daniel Johnston, a manic-depressive genius singer/songwriter/artist, from childhood up to the present, with an emphasis on his mental illness, and how it manifested itself in demonic self-obsession.

Legend of a Warrior follows Corey Lee’s efforts to reconnect with his father, martial arts legend Frank Lee. For his many students and fans, Frank is martial arts-a high-kicking dynamo whose style of full contact fighting has propelled him into the upper echelons of his profession. Frank is happy to play the role he’s cultivated, but his son, filmmaker Corey Lee, wants to look beneath the superhero mask. To do this Corey must enter Frank’s world, a world where fighting rules.

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Another super polished, overly produced debacle. Delivering the gnarliest skateboarding from this year’s new breed of rippers: Jamie Foy, Chase Webb, Carlos Iqui, Michael Pulizzi and Cody Lockwood. “If anyone knows where the end of the Earth is, can they take us there?”

An imaginary return of dictator Ceausescu after 20 years of capitalism in his country, Romania, where he finds a new society but also old habits in the country’s businessmen.

In 2019, thousands of Danish children and youths took to the streets. They stayed away from school to demonstrate for the climate, mobilise their parents and grandparents, and demand action – now! When elections were called later the same year, it was clear that green climate policies attracted voters, and suddenly the climate was at the top of the political agenda. ‘70⁄30’ portrays the creation of one of the world’s most ambitious climate laws, with the goal of reducing Denmark’s CO2 emissions by 70% by 2030. But will the politicians, citizens and industry be able to come together to make Denmark a green pioneer? Or will the election promises and green ambitions crumble when the new climate law is faced with reality?