An Italian diplomat’s son follows and seduces English lovers in Venice.
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Mona and Don’s seemingly perfect suburban bliss is disrupted by a sexy extortionist and Mona will stop at nothing, including killing the competition, to keep her little slice of heaven.
A pre-Depression slice of proletarian life from Weimar Germany, Harbour Drift is unusually interesting for its indifferent pessimism, rejecting even the minor rays of hope which permeate the other low-life ‘street films’ of the period. A sordid tale of poverty and greed set within a quayside milieu of crime and prostitution, the narrative centres on the quest for a sparkling pearl necklace stolen by a beggar under the gaze of a prostitute, who persuades her unemployed friend to steal it back, with tragic consequences. The story unfolds in flashback, without irony or a hint of redemption: life simply goes on. The film is remarkable for the innovative camerawork of Friedl Behn-Grund, which manipulates light and shadow to create a nightmarish atmosphere of fear and premonition.
Two neighbors, young Vincenzo and old Mr. Bartoloni, are utterly unhappy. On the one hand Vincenzo must lead a miserable and frustrating life as he cannot find any regular job, despite his Arts degree. On the other hand, Mr. Bartoloni is fed up with his despotic wife: the woman who used to be a beautiful artist is now a fat and shabby drunkard. The two men meet on a particularly sad night and, during an outburst Mr. Bartoloni asks Vincenzo to help him to get rid of his wife by simulating an accident with the promise of a considerable amount of money. At night Vincenzo can’t sleep: Mr. Bartoloni wasn’t joking and he is in a desperate need for money…
A malevolent being known as The Jester terrorizes the inhabitants of a small town on Halloween night, including two estranged sisters who must come together to find a way to defeat this evil entity.
San Marcos, a town in northwestern Mexico partially submerged under water because of the construction of a nearby dam, is besieged by the violence of armed groups. Nevertheless, four families refuse to leave.
Ryevsk, Russia, 1870. Tensions abound in the Karamazov family. Fyodor is a wealthy libertine who holds his purse strings tightly. His four grown sons include Dmitri, the eldest, an elegant officer, always broke and at odds with his father, betrothed to Katya, herself lovely and rich. The other brothers include a sterile aesthete, a factotum who is a bastard, and a monk. Family tensions erupt when Dmitri falls in love with one of his father’s mistresses, the coquette Grushenka. Two brothers see Dmitri’s jealousy of their father as an opportunity to inherit sooner. Acts of violence lead to the story’s conclusion: trials of honor, conscience, forgiveness, and redemption.
Convicted killers David Sweat and Richard Matt seduce bored, restless, small town mom Joyce Mitchell who aids and abets their audacious jailbreak.
Photographer Francesca builds Maia’s confidence while having to control her own obsessive and sexual desires towards Maia. As they spend more time together, Maia becomes the object of her obsession and things slowly spiral out of control.
As a mysterious high plains drifter travels across the wintry North Dakota prairie, he finds a man lying unconscious in the middle of the road and stops to lend a hand. After defrosting, the man explains that he’s on his way to meet his pen-pal girlfriend for the first time, as she’s being released from prison. Desperate for a girlfriend of his own, the drifter sees this as an opportunity to change his lonely existence, and hatches a plan to steal his new companion’s identity, forever changing the destinies of all three people.