The life of revered the 18th-century Armenian poet and musician Sayat-Nova. Portraying events in the life of the artist from childhood up to his death, the movie addresses in particular his relationships with women, including his muse. The production tells Sayat-Nova’s dramatic story by using both his poems and largely still camerawork, creating an impressionistic work.
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Decorated Vietnam hero Frank Vega returns home only to get shunned by society leaving him without a job or his high school sweetheart. It’s not until forty years later when an incident on a commuter bus (where he protects an elderly black man from a pair of skin heads) makes him a local hero where he’s suddenly celebrated once again. But his good fortune suddenly turns for the worse when his best friend Klondike is murdered and the police aren’t doing anything about it.
An Orange County teenager’s carefree life of ditching class and skateboarding abandoned pools comes to a screeching halt when someone close to him dies. The cops rule the death a suicide, but the bereaved skater believes he was murdered. It’s up to him to solve the case, with a skateboard.
Two teenage best pals attracted to the same boy end up scrambling his life after he walks into a door and is knocked unconscious.
Based on a true story, ‘Tot altijd’ introduces us to a band of friends in the eighties, who spend their days enjoying their youth and turbulent (love) life. Years later, Thomas, a recent medicine graduate and Mario’s closest friend, gets stuck between a rock and a hard place when he diagnoses Mario with MS (Multiple Sclerosis). Though not a fatal disease, it slowly consumes the patient’s bodily functions and – in some cases – their minds. Mario becomes the leading spokesman for the action group “Waardig Sterven” (“Dignified Death”) in support of the Belgian legalisation of euthanasia. Thomas does everything in his power to avoid losing his best friend, but also can’t stand the sight of his continued degeneration…
Edyta is forty and in the midst of a crisis. She has left her family, her husband and son and their house on the Baltic Sea behind her. She spends her nights in a Warsaw hotel room and her days driving around the unfamiliar city. When she runs out of cash, she hatches a plan: An ad in the newspaper – sex for money. Edyta never lets things get that far though, as she drugs her clients and then uses their apartments as a refuge for the night. Then she meets an artist, Patryk. A smidgen of luck and Edyta can no longer maintain her dismissive attitude. In this enthralling character study, Tomasz Wasilewski uses filmic minimalism to ensure that glances and gestures say more than words. He portrays a lonely woman in both fragility and strength, using precise image composition.
A portrait of youth in bloom; a tale of one family’s dissolution; a reflection upon the danger and the mystery in living. Sandrine Bonnaire plays Suzanne, a free spirit and the vessel for an almost Brontëan choler. She’s 16, and men exist — diverse lovers, an overbearing brother, and the father portrayed by director Maurice Pialat himself in an unforgettable turn that displays the full magnitude of the cinema giant’s tenderness, force-of-will, and presence of being.
In the 1970s, aimless teenager Greg Laurie searches for all the right things in all the wrong places until he meets Lonnie Frisbee, a charismatic hippie/street preacher. Together with local pastor Chuck Smith, they open the doors of a languishing church to an unexpected revival.
Avery, a blogger with a string of disappointing Valentine’s Days, is ready to give up on love when she meets handsome veterinarian Brenden. When Avery finds out Brenden blames his recent break up on her blog and is the one leaving her angry comments, she begins to question whether the bond they’ve began to build is a true love story or yesterday’s news.
A comedy of manners, its cast of characters devouring each other in a small world awash with big money. Set against the backdrop of contemporary London and the international art scene, it casts an eye over the appetites and morality of some of its major players. Dealers, collectors, artists, wannabees vie with each other in a world in which success and downfall rest on a thin edge.
Greg Powell, a disturbed ex-con, recruits Jimmy Youngblood (Smith) a petty thief, as partner in crime. Powell panics when they two of are pulled over by two cops for tail lights. Powell decides to kidnap the cops and Smith goes along with his crazy scheme. They drive out to a deserted onion field in Bakersfield, where one cop is killed and the other escapes. The film explores the consequences.