Newly arrived in town Nat and Gabe accept a dinner invitation from the volatile Hungarian Helene and her boorish husband Sasha. Whilst the other guests, ex-Bananarama member Marty, Angie, who ‘makes bullets’ and the supposedly suicidal Danny are affable enough, Nat and Gabe are shocked by their hosts’ very public rows and Gabe’s attempt at peace-making is awkwardly received. Nat is taken aback when virtual stranger Helene confides in her about Sasha’s suspected infidelity and Gabe is rudely rebuffed when he tries to have a heart to heart with Sasha. After Helene physically attacks her husband the newcomers are desperate to leave but when Danny drops a bombshell Gabe is torn between responsibility and the easy way out.
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Two families overcome prejudice and tragedy in 1888 Wyoming when a special Christmas miracle saves the life of a small boy.
One cold winter’s day, Jacob and his sister Marie are abandoned in a wood by their out of work father. In his jacket Jacob finds a letter from their mother urging them to go to her brother in Spain. Once in Spain, it turns out that their uncle is dead. Marie meets Diego, a wealthy charming Spanish surgeon, and falls in love with him. Diego lives with his sick, domineering sister, Teresa. To Jacob’s astonishment, Marie wants to marry Diego. Even after the wedding has taken place, jealous Jacob tries to get his sister away from Diego. When this doesn’t succeed, Jacob starts to provoke his brother-in-law. It soon transpires that no one will go unpunished for this.
Thomas Arslan’s second feature film and part of his Berlin-trilogy is a slow-paced milieu study of German-Turkish youth in Berlin-Kreuzberg. The film depicts the every day life, domestic conflicts, dreams and disappointments of three siblings and their aimless, meandering strolls through the Kreuzberg district.
Luì is about to receive his diploma as a scientist until Mr. S and Perfidia will try to undermine the Me against You.
A couple running a roadside garage has their livelihood threatened by trucks going in and out of a nearby construction site. When they learn that metal scraps from the trucks are flattening tires, they start to scatter scraps and make money from changing tires.
A bird raised by mice begins to question where she belongs and sets off on a daring journey of self-discovery.
After drag racing his vintage convertible around Palm Springs, a retired NASA test pilot (William Shatner) loses his license. Forced to take public transportation, he meets Caroline (Jean Smart) and learns to navigate love and life again.
Powerful short film, which explores human existence at the most fundamental, personal level – what it means to be a conscious individual. Set hundreds of years in the future, a derelict spacecraft, controlled and powered by a human brain, floats aimlessly in the outer reaches of space. Trapped in the cold, mechanical prison of the vessel, the brain, which has no recollection or concept of self, miraculously begins to experience disjointed images of its former life – images it cannot understand. Yearning for freedom and yet unable to move, the brain devises a plan to build itself a mechanical body from parts of the ship. Maybe then it will understand the images it is seeing – maybe then it will feel alive.
Sandrine and Alice are two sisters who, in their thirties, decide the time has come to attempt a reconciliation with their mother.
Ivy and Bean never expected to be friends. Ivy is quiet, thoughtful and observant. Bean is playful, exuberant and fearless. However, sometimes an adventure reveals that opposites can become the best of friends.
Beauty and the Beast is the adaptation of a story by Madame de Villeneuve. Published anonymously in 1740 as La Jeune Américaine et les contes marins, it paints a portrait of Belle, a joyful and touching young girl who falls in love with the Beast, a cursed creature in search of love and redemption. In 1760, a condensed children’s version was published. It was from this version that Jean Cocteau and then Walt Disney drew their famous adaptations. Overshadowed, the original version by Madame de Villeneuve has never been adapted for the screen… until now!
