A young tech worker takes a job at a powerful Internet corporation, quickly rises up the company’s ranks, and soon finds herself in a perilous situation concerning privacy, surveillance and freedom. She comes to learn that her decisions and actions will determine the future of humanity.
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By the start of World War II, Paul Robeson had given up his lucrative mainstream work to participate in more socially progressive film and stage productions. Robeson committed his support to Paul Strand and Leo Hurwitz’s political semidocumentary Native Land. With Robeson’s narration and songs, this beautifully shot and edited film exposes violations of Americans’ civil liberties and is a call to action for exploited workers around the country. Scarcely shown since its debut, Native Land represents Robeson’s shift from narrative cinema to the leftist documentaries that would define the final chapter of his controversial film career.
Plagued by frightening occurrences in their home, Kelly and Ben learn that a university’s parapsychology experiment produced an entity that is now haunting them. The malevolent spirit feeds on fear and torments the couple no matter where they run. Desperate, Kelly and Ben turn to a paranormal researcher, but even with his aid, it may already be too late to save themselves from the terrifying presence.
A domineering, magnetic rancher responds with mocking cruelty when his brother brings home a new wife and her son, until the unexpected comes to pass.
Andre, recovering from a recent accident, agrees to help his friend Robert by taking over a house sitting job at a creepy home nestled in the hills above Los Angeles. As night comes, the house reveals its insidious nature as Andre begins hearing ominous sounds and experiencing strange occurrences throughout the house that lead him to believe he is not alone, and that someone, or something is in the house with him.
Rose is stuck on a metaphorical bridge. She must choose to confide in her true self, or her insecurities.
Two sisters, aged 5 and 8, hang out alone at home in the middle of the countryside. Elsa, the youngest, swallows three grains of coarse salt. Judith announces to her that she’s doomed to a death by desiccation, and she only has a few hours to live. The mother returns, behaving ardently and feverishly, and turns the family’s destiny upside down.
Stockholm My Love is a city symphony, a love letter to Stockholm, the fiction debut of director Mark Cousins and the acting debut of musician Neneh Cherry. It follows one woman’s footsteps through the streets of her native city, on a journey of recovery from a bad thing that happened to her exactly one year before. It’s an exploration of grief, identity and the power of architecture and urbanism to shape lives, and a celebration of the power of walking and looking to make us all feel just a little bit better. With new music by Neneh Cherry, old music by Benny Andersson (of ABBA) and Franz Berwald, and images by Christopher Doyle and Mark Cousins.
Bricks wants out of the game but he needs his million dollars that his ex-girlfriend left town with. He must find her first before Detective Love finds her to kill her and take the money.
In 2006, with the ever looming dangers of the underworld in Malaysia, Don broke the morale of his associates by infiltrating the gang with an alias and taking advantage of the enmity of Singhania & Vardhaan. He rose to become the undisputed King of the Asian underworld with his shrewd mind and merciless tactics. Now, having conquered the Asian underworld, Don (Khan) has his sights set on European domination. In his way are the bosses of the existing European underworld and all law enforcement agencies. The action shifts from Kuala Lumpur to Berlin as Don must avoid assassination or arrest, whichever comes first, in order for his plan to succeed.