Working through some difficult decisions, Mitchell family matriarch Phylis and patriarch Bill, have summoned their two grown sons – TV star, Mike Mitchell and Brandon Mitchell – home for the holidays. It is their hope that bringing the family together to recreate the Christmas house, will help them find resolution and make a memorable holiday for the entire family and community. As Brandon and his husband Jake make the trip home, they are anxiously awaiting a call about the adoption of their first child. Meanwhile, Mike reconnects with Andi, his high school sweetheart.
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Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together.
When a law school dropout answers an advertisement to be a personal assistant he unknowingly signs on to work for a belligerent has-been magician struggling to resurrect his career. This leads to a journey across the country staging the comeback of a lifetime.
Can and his girlfriend, Jale, live with their young daughter, Meral, in a tough Turkish neighbourhood of Berlin and barely manage to scrape enough money together for their existence. Can is a small-time dealer and errand-boy for drug boss Hakan, who has to keep his customers supplied within his narrowly staked out territory. Jale, who works in the ware-house of a department store, has been pressing Can to give up this activity. Can, also fed up with his situation, sees a bright new beginning for himself and his family when Hakan offers him the prospective chance to run a bar on his very own. But Can has little control over the pressures that gradually begin to build up around him and soon finds himself floundering in quicksand.
Two teenage best pals attracted to the same boy end up scrambling his life after he walks into a door and is knocked unconscious.
A young writer brings a collection of short stories to a big Moscow publishing house. The manuscript stays at the office and mysteriously influences the lives of anyone who opens it and reads at least one page. There are four stories in the manuscript, and four readers whose lives are changed after reading them. The situations range from realistic to absurd to thrilling to create a rich portrait of life in contemporary Russia and showcase the thoughts, feelings and ambitions of people who live there.
It often happens that at the moment of death, transgender individuals are shorn of their identity. Their families are ashamed, the funeral takes place in secret, and on the tomb appears the name the deceased had before their transition, in one stroke nullifying the entire life path they had chosen. The same thing happened to Antonia. Her girlfriends gather to honor her memory and give her back her identity denied. In telling her story, the film’s stars, all drawn from the variegated transgender world, interweave the narrative with tales of their own lives, experiences, and memories.
Three teenage girls decide to visit a romantic island and find love. They get shipwrecked and end up on different sides of the island. Each girl begins her own romantic adventure either with a man, a boy or even another girl.
Jack an 18-year old hustler and his boyfriend Tom are an item, close and very much in love. Otherwise, Jack is impulsive and explosive with few redeeming qualities. Ken, a married man who hasn’t come out of the closet, takes Jack from NYC to Miami with the intention of helping him.
Reunited after a 17 year separation, Walter, an Angolan immigrant, is joined in the U.S. by his wife and teenage daughter. Now absolute strangers sharing a one-bedroom apartment, they discover a shared love of dance that may help overcome the emotional distance between them.
Using the discarded, deteriorating remnants from seven silent film titles, filmmaker Bill Morrison braids a story of intertwining love triangles that pivots between the accounts of two women.