A little girl Assol met a wizard and it has been foretold: “… it will be a fine sunny day when a beautiful ship under scarlet sail comes and the noble prince will take you away from here. He’ll take you to the world of your dreams, where you will be loved and happy.” The neighbours told jokes about her, children teased her, but she waited for her prince. She trusted in the miracles and waited. Arthur Gray’s rule was “if you can make a miracle, do it!”. And he made a miracle for the wonderful romantic girl.

Walkover, the autobiographical second feature by Polish enfant terrible Jerzy Skolimowski echoes the French nouvelle vague in its extraordinarily stylized tale of a prizefighter who ducks a fight to romance a beautiful blonde.

Sara and Brian live an idyllic life with their young son and daughter. But their family is rocked by sudden, heartbreaking news that forces them to make a difficult and unorthodox choice in order to save their baby girl’s life. The parents’ desperate decision raises both ethical and moral questions and rips away at the foundation of their relationship. Their actions ultimately set off a court case that threatens to tear the family apart, while revealing surprising truths that challenge everyone’s perceptions of love and loyalty and give new meaning to the definition of healing.

Silent film master D.W. Griffith’s first talkie works as a companion piece to his classic BIRTH OF A NATION, providing a detailed biographical sketch of the 16th president. We see his birth in a log cabin, the tragic death of his first love, Ann Rutledge (Una Merkel), his debates with Douglas, his accepting of the presidency, the terrible toll of the Civil War, and finally the tragic assassination at Ford’s Theater. Griffith shows his usual meticulous attention to period detail, and the framing of the various vignettes has the feel of historical photographs come to life. Walter Huston is excellent in the title role, with a portrayal that subtly evolves from laconic, wizened rascal to noble elder statesman. This is a fascinating, worthy film, and an interesting historical document in and of itself.

In the nineteenth century, a French adventurer sets off to establish a kingdom in the inhospitable South of Chile, uniting the feared Mapuche under him. The response of the Chilean army is devastating.

A vengeful widow is out to seduce the relatives of the man she blames for her husband’s death.

After his mother unexpectedly dies, 17-year-old Ethan discovers he is the owner of his mother’s horse – a horse he never even knew existed. He travels cross country to live with his grandparents and investigate the mystery. His grandmother is supportive but his angry grandfather Otto doesn’t seem to want him around. Next door live three children who are taking riding lessons at the same farm where his mother’s horse is boarded. Their lives intersect as Ethan deals with his grief over his mother’s death and the children deal with a neighborhood bully whose father works at the horse farm. The journey for Ethan, Otto, the three children, the bully and her father all revolve around a gentle and faithful horse called Bear who deeply touches all their lives. This is a delightful redemption-themed family movie that will appeal to children, teens, horse-lovers and people of all ages.

Nemo Nobody leads an ordinary existence with his wife and 3 children; one day, he wakes up as a mortal centenarian in the year 2092.

John, a man haunted by his beginnings, struggles with finding meaning and worth in his life. This leads him to choose a path of selfishness and drug abuse. Consequently there’s a breakdown of relationships with his family and his wife. When things start to crumble all around him, John gets the wake up call that he needs in the form of a caring new friend, and others in his life that reach out to him in ways they hadn’t before. God working through them and reaching out to John, guides him on a path of discovery about where his worth and value truly come from, and what in life is truly valuable.

When the Amago samurai withdraw their protection of the village of Tatara, famous for their manufacture of the legendary swords, the younger generation – erroneously – believe that guns will suffice.

Working class Danny aims to kick start a revolution by turning the tables on the establishment with a deadly game of chance.

An adolescent arrives in a new town where he tries to join the drag-racing crowd.