A nuclear-plant leak turns a bus-load of children into murderous atomic zombies with black fingernails.
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A group of young film students run into real-life zombies while filming a horror movie of their own.
A British Army doctor comes back from a war, thinking that she has PTSD only to discover that there is a more daunting malevolence at work making the life that she knew unfamiliar.
A seemingly perfect romance turns dark when a mother becomes convinced her daughter’s new boyfriend has a sinister connection to her own past.
Megaforce is an elite multi-national military unit that does the jobs that individual governments wont. When the peaceful Republic of Sardun in under threat from their more aggressive neighbour the beautiful Major Zara (Persis Khambatta) and General Byrne-White (Edward Mulhare) see the help of Ace Hunter (Barry Bostwick) and Megaforce.
The Halloween ban is now lifted in Helen’s Valley, and the sorority girls of Gamma Tau Psi place Michelle in charge of their annual haunted house. Unfortunately for Michelle some uninvited trick or treaters from her past come knocking.
When a black market antiques deal is botched by a goon and his girlfriend, the mummified remains of an alien they were selling is revived by the blood of the murdered dealer. Elridge (Darrow Igus). The bloodhungry mummy is on the run, and stumbles upon an in-patient psychiatric facility that is home to dozens of beautiful, voluptuous nymphomaniacs.
“Drudge,” What was supposed to be a romantic night in for a young couple, quickly turns into a terrifying encounter with Drudge.
Angela, a corporate climber, gets stuck working late on Christmas Eve and finds herself the target of an unhinged security guard. With no help in sight, the woman must overcome physical and psychological challenges to survive.
D. stalks Sandra but she doesn’t know it. She does think that D. is a documentary filmmaker having her be in film about conquering fear. Little does she know that D. is not who he claims to be, and far worse.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
