While serving time for insanity at a state mental hospital, implacable rabble-rouser, Randle Patrick McMurphy inspires his fellow patients to rebel against the authoritarian rule of head nurse, Mildred Ratched.

BELLE is inspired by the true story of Dido Elizabeth Belle, the illegitimate mixed race daughter of a Royal Navy Admiral. Raised by her aristocratic great-uncle Lord Mansfield and his wife, Belle’s lineage affords her certain privileges, yet the color of her skin prevents her from fully participating in the traditions of her social standing. Left to wonder if she will ever find love, Belle falls for an idealistic young vicar’s son bent on change who, with her help, shapes Lord Mansfield’s role as Lord Chief Justice to end slavery in England

A beautiful girl who has everything. Charming, playful, in her own words: ‘too joyful to fall in love.’ A sudden car crash, and her heart stops for a few minutes. When she wakes up, everyone assures ‘every-thing’s alright.’ But she knows it isn’t. Because she cant remember her final month; a September of her life is missing. Leading a trail of hastily covered clues she finds herself in a remote Aegean island. A weird looking, grubby recluse, comes up-to him and proclaims: ‘Don’t you remember me? I’m the man you fell in love with.’ Everything sensible about her screams ‘get out of there’ but she follows her memories right onto the tragic end of a miraculous affair.

Rafi (Anne Curtis) is happily committed to her lovely partner in life, Mark (Derek Ramsay). She’s a bachelorette from a rich family, who belongs to the “Friday Club”, the regular get-together of her college friends. Rafi is an attention-getter because of her in and out beauty and impressive credentials. But one day, a major life decision shifts everyone’s impression of her. Sam (Andi Eigenmann), a rebellious, carefree and happy-go-lucky woman, who thinks that she can get away with her every dilemma. However, her perspectives turn 180 degrees when she meets the man who unexpectedly changes her life.

A female boxing trainer discovers that her champion cage-fighter boyfriend has been cheating on her with her sister and decides to seek revenge by training up his arch-rival to challenge him.

Feature film from award-winning writer/director Patrik-Ian Polk, tells the story of five black Brown University classmate s- four gay men and one lesbian – reuniting in the Big Apple for a weekend of sin, fun, secrets, lies and drama.

Late sixteenth century. A Tameme Indian man and a noble Spanish woman flee through the forests of the New World in search of freedom. Their frantic journey softens the tension between them and dissolves their longstanding differences and creates intimate bonds that threaten their very survival.

Queen Victoria strikes up an unlikely friendship with a young Indian clerk named Abdul Karim.

Secluded from the world, in XIX century rural Romania, a widow and mother of three must defend what’s left of her family, at all costs, from an old family friend turned foe. Based on one of the best-known Romanian folk tales (The Goat and Her Three Kids by Ion Creanga), this film aims to unveil the true nature of the famed bedtime story and to treat the audience to a different perspective, one that offers a glimpse of what the tragedy looks like beyond the happy songs and affable characters.

Set in post-war (1949) rural New Zealand, this film traces the efforts of two con men to run a betting scam in a small town (Tainuea) already rife with illegal gambling corruption, and eccentricity.

Based on the John Irving novel, this film chronicles the life of T S Garp, and his mother, Jenny. Whilst Garp sees himself as a “serious” writer, Jenny writes a feminist manifesto at an opportune time, and finds herself as a magnet for all manner of distressed women.

Fatu’s father has returned home to Guinea-Bissau from Portugal to attend her wedding. The young woman teaches at the university and her future husband is a well-known musician. Their wedding is supposed to take place in Tabatô, a village where everyone makes music. On the way there, it becomes apparent that the father is seriously traumatised by his experiences as a soldier in the colonial war decades earlier.