Based on the true story of an award-winning investigative journalist — and avowed atheist — who applies his well-honed journalistic and legal skills to disprove the newfound Christian faith of his wife… with unexpected, life-altering results.
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When a lively young family moves in next door, grumpy widower Otto Anderson meets his match in a quick-witted, pregnant woman named Marisol, leading to an unlikely friendship that turns his world upside down.
Set in the late ’20s. A thirtyish young man, who heads a small factory, faints at the funeral of a close friend. He decides to go home to his aunt and uncle for a while, but gets involved with a family of five women who had been in love with him at one time though he had apparently loved only one, who, unknown to him, has died since his departure. The women are mainly disillusioned with life or estranged from husbands while the youngest has a crush on him.
CREMASTER 2 (1999) is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney’s abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1 …
A journey of a Korean girl who wanders around Europe to find her boyfriend.
While a gang of high school girls randomly beats lone men at night, the photo of a young woman who has been declared missing is used to design a template which is painted on each wall of a small suburban town.
Yale University, 1961. Stanley Milgram designs a psychology experiment that still resonates to this day, in which people think they’re delivering painful electric shocks to an affable stranger strapped into a chair in another room. Despite his pleads for mercy, the majority of subjects don’t stop the experiment, administering what they think is a near-fatal electric shock, simply because they’ve been told to do so. With Nazi Adolf Eichmann’s trial airing in living rooms across America, Milgram strikes a nerve in popular culture and the scientific community with his exploration into people’s tendency to comply with authority. Celebrated in some circles, he is also accused of being a deceptive, manipulative monster, but his wife Sasha stands by him through it all.
Katie Arneson is faking cancer. A university dance major, Katie’s falsified diagnosis and counterfeit fundraising have transformed her into a campus celebrity surrounded by the supportive community she’s always dreamed of: a close-knit group of friends, security in her academic pursuits, and a caring relationship with her girlfriend. Dependent upon a bursary for sick students to maintain her ruse, Katie learns the funding is in jeopardy unless she can provide copies of her medical records within the week.
After the death of her father, a troubled woman returns home to confront the family who paid for her silence. Kira Flynn grew up in a storybook NJ setting. As a teen, she was a gifted artist with a bright future ahead of her, until one fateful night changed everything; a child’s innocence, a father’s loyalty, and a family’s future. Fifteen years later, Kira’s father passes away. She returns home to her mother, Sheila, and her brother, Lucas, to help bury her father while she digs up her past.
Middle-aged and divorced, Wilson finds himself lonely, smug and obsessed with his past.
After a long night with his old war buddies, Andres Lapeteus regains consciousness in the hospital. How has confusion, bewilderment and alienation developed between these men who once fought together side by side? Is this the inevitable result of the Stalinist regime, the influence of his social climber wife, or the effect of his personal cowardliness and conformism? What happened to Andres Lapeteus?
