A socio-cultural multi-generational history of the Bronx focused on Producer George Shapiro’s 1949 graduating class and the 2017 graduating class of DeWitt Clinton High School.
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In candid conversations with actor Jonah Hill, leading psychiatrist Phil Stutz explores his early life experiences and unique, visual model of therapy.
Grant Korgan is a world-class adventurer, nano-mechanics professional, and husband. On March 5, 2010, the Lake Tahoe native burst-fractured his L1 vertebrae, and suddenly added the world of spinal cord injury recovery to his list of pursuits. On January 17, 2012, along with two seasoned explorers, Grant attempted the insurmountable, and became the first spinal cord injured athlete to literally push himself to the most inhospitable place on the planet: the bottom of the glove, the geographic South Pole.
An American stand-up comedy special starring Marlon Wayans who jokes about racism, hip-hop, gay rights, and raising kids.
If you ever find yourself traveling down Interstate 49 through Missouri, try not to blink—you may miss Rich Hill, population 1,396. Rich Hill is easy to overlook, but its inhabitants are as woven into the fabric of America as those living in any small town in the country. This movie intimately chronicles the turbulent lives of three boys living in said Midwestern town and the fragile family bonds that sustain them.
Filmmaker Sterlin Harjo’s Grandfather disappeared mysteriously in 1962. The community searching for him sang songs of encouragement that were passed down for generations. Harjo explores the origins of these songs as well as the violent history of his people.
Edith Han was an young woman that was studying law in Vienna when the German forced Edith and her mother into a Jewish ghetto.
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The murder of photographer José Luis Cabezas in the summer of 1997 deeply shakes Argentina, and ends up revealing a mafia scheme in which the political and economic powers appear to be involved.
In this austere and sorrowful portrait of his hometown, St. Louis, Harris sets his black-and-white 16mm camera loose to wander through the city’s decaying northside neighborhoods, an area populated almost exclusively by working class and working poor African Americans. Gliding down empty streets, across the facades of once-elegant homes, entering condemned buildings, the camera makes a detached but ultimately damning portrait of civic neglect and apathy. Poignantly, human beings are rarely encountered; their presence haunts the soundtrack of eerie footsteps, an unanswered telephone, and sparse voiceover commentary from found sources.