An origin story, of sorts–LIGHTNINGFACE stars Oscar Isaac as Basil Stitt, who in the aftermath of an inexplicable incident, decides to sequester himself inside his apartment, setting the stage for a profound transformation.

“Tormenting the Hen” a caustic satire of city mice in the world of country mice, where well-meaning cosmopolites clash with strange townsfolk in country homes, black-box theaters, backyards, and local pubs. Invited by a dippy, curator (Josephine Decker), playwright Claire (Dameka Hayes) is spirited away to an artists’ retreat to present a political one-act about race, resentment, and masculinity. Accompanied by her fiancé, Monica (Carolina Monnerat), begins as a welcome getaway for the harried pair, until an unexpected visit from town enigma Mutty (Matt Shaw) casts a threatening shadow. While Claire plays babysitter to a duo of difficult performers Joel (Brian H. Brooks) and Adam (David Malinsky) Monica attempts to maintain her sanity despite her lover’s decreasing attentions and her neighbor’s proximity. Each woman struggles to preserve her autonomy in an increasingly hostile milieu, building to a soul-shaking climax that offers no easy answers for character and viewer alike.

Yoshito grew up with his mother Yasue after his father passed away. His mother ran a yakiniku (grilled meat) restaurant that his father had left behind. Yoshito enjoyed eating his mother’s cooking and their restaurant was loved by many people. Things changed after popular food critic Furuyama Tatsuya published false statements about their yakiniku restaurant. Due to that, their restaurant saw a sharp drop in customers. Yasue worked hard to recover business for the restaurant. Due to Yoshito’s behavior in wanting attention from his mom, Yasue decided to shut down the restaurant. 18 years later, Yoshito lives alone and he works as a freelance writer. One day, he takes work for a new online foodie website. He works with editor Takenaka Shizuka. Their first assignment involves yakiniku. Around that time, Yoshito hears that his estranged mother Yasue has collapsed.

Julian Jons is a talented but troubled young artist. He has just been released from an asylum, where he has spent the last seven years for the murder of Anna, his girlfriend/model. Attempting to start painting again, he is pursued by journalist Jennifer Cole, who is intrigued by this complex, brooding man. Against the backdrop of the modern art world, she begins to dig into the past, fully aware that it holds painful memories for Julian, and perhaps danger for herself.

Set in South Carolina in 1964, this is the tale of Lily Owens a 14 year-old girl who is haunted by the memory of her late mother. To escape her lonely life and troubled relationship with her father, Lily flees with Rosaleen, her caregiver and only friend, to a South Carolina town that holds the secret to her mother’s past.

A crew of men who do the high-wire work of fixing the electrical grid are hit by a sudden deadly storm.

A man and woman, skeptical about romance, nonetheless fall in love and are wed, but their lack of confidence in the opposite sex haunts their marriage.

The true story of Texas congressman Charlie Wilson’s covert dealings in Afghanistan, where his efforts to assist rebels in their war with the Soviets had some unforeseen and long-reaching effects.

Janie’s just trying to get well. As she recovers from a violent psychotic break, she’s subjected each day to a bizarre holistic health and wellness regimen designed, and enforced, by her lifelong nanny and caretaker. But when she develops an obsession with a stranger, Janie’s buried demons begin to surface.

The Dung Beetle is late, the Parasite is asleep and Mrs Larva is more interested in her knitting than the director’s instructions. It’s clear: this amateur theatre company has a long way to go before they can perform their version of The Insect Play, a famous satirical work from 1922 by the brothers Karel and Josef Čapek which features insects with decidedly human traits: greed, egocentrism, jealousy.

Nineteen-year old Leon returns home to take care of his alcoholic mother and adjust to life as an adult after an adolescence spent in and out of foster care. Frustrated by his lack of an education and his bleak financial prospects, Leon finds solace in the boxing ring. He soon meets the rebellious and beautiful Twiggy (Sophie Kennedy Clark), who is squatting in abandoned houses to escape her family’s unfeeling affluence. As rumblings of riots begin in the streets and police and protesters engulf his neighborhood, Leon must decide whether to join his friends and fight or seek a new life with Twiggy.

College graduates deal with Vietnam and other issues of the late ’60s.