Bride of Frankenstein begins where James Whale’s Frankenstein from 1931 ended. Dr. Frankenstein has not been killed as previously portrayed and now he wants to get away from the mad experiments. Yet when his wife is kidnapped by his creation, Frankenstein agrees to help him create a new monster, this time a woman.
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Through a series of chance encounters, sparks fly between college literature professor Mia and Tony, a headliner at a Manhattan supper club. Unbeknownst to them, Mia’s mother, Marlene, and Tony’s mother, Sofia, are working some maternal matchmaking magic.
Connected, by Luke Gilford, is a portrait of a woman grappling with aging, self-perception, and transformation in a technologically optimized world. Jackie (Pamela Anderson) is a burnt-out AuraCycle instructor in the midst of a midlife crisis. She’s obsessed with self-improvement podcasts (voiced by Jane Fonda), and she is soon drawn to an advanced yet enigmatic wellness spa that promises to enhance her mind, body and soul. Guided by her effortless and nubile mentor, Luna (Dree Hemingway), Jackie will give up anything to feel “connected” — to herself, to the future, and to a precarious sense of perfection.
Four erotic tales from in various historical eras. The first, ‘The Tide’, is set in the present day, and concerns a student and his young female cousin stranded on the beach by the tide, secluded from prying eyes. ‘Therese Philosophe’ is set in the nineteenth century, and concerns a girl being locked in her bedroom, where she contemplates the erotic potential of the objects contained within it. ‘Erzsebet Bathory’ is a portrait of the sixteenth-century countess who allegedly bathed in the blood of virgins, while ‘Lucrezia Borgia’ concerns an incestuous fifteenth-century orgy involving Lucrezia, her brother, and her father the Pope.
In the not-too-distant future, the last two men on earth must adapt and evolve to save humanity.
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
Looking to escape her unhappy marriage, villainous femme fatale Bridget Gregory (Linda Fiorentino) convinces her husband, Clay (Bill Pullman), to sell cocaine, then steals the profits and runs out on him. She stops in a small town en route to Chicago, where she ensnares her next conquest, insurance man Mike Swale (Peter Berg). After getting a job at his insurance company, Bridget convinces Mike to run a scam — but things take a deadly turn when she recruits him to help get rid of her husband.
After years of performing “exorcisms” and taking believers’ money, Reverend Marcus travels to rural Louisiana with a film crew so he can dispel what he believes is the myth of demonic possession. The dynamic reverend is certain that this will be another routine “exorcism” on a disturbed religious fanatic but instead comes upon the blood-soaked farm of the Sweetzer family and a true evil he would have never thought imaginable.
Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.
The army of the Marauders, led by by King Terak and the witch Charal attack the Ewoks village. The parents and the brother of Cindel all die in this attack. Cindel and the Ewok Wicket escape and in a forrest they meet Teek a naughty and very fast animal. Teek takes them to a house in which a old man, Noa, lives. Like Cindel he also crashed with his Starcruiser on Endor. Together they fight Terak and Charal.
A three-part omnibus of tales surrounding ordinary people and the circumstances they stumble upon that will turn them into murderers.
