Against all the odds, a thirteen year old boy in Malawi invents an unconventional way to save his family and village from famine.
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A young couple buy their dream home in New Orleans, only to be tormented by an obsessive mother who believes the house should be hers.
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Arima is the story of four women and a girl whose existence is disrupted by the sudden arrival of two strangers. One of them is fleeing from the other, sneaking around town like an elusive being, a ghostly presence of uncertain existence. The other character —an injured man carrying a gun— will disrupt the women’s way of life in different ways. The whole plot takes place on the fine line between reality and imagination, between dreams and nightmares, fear and desire, within a story shrouded in mystery.
Twelve people who gather to gamble at a house party with Rs 12 crore. But at midnight, the lights go out, and the money disappears. No one has entered the house, no one has left. The money isn’t found in the house vicinity either.
Director Mario Van Peebles chronicles the complicated production of his father Melvin’s classic 1971 film, “Sweet Sweetback’s Baadasssss Song.” Playing his father in the film, Van Peebles offers an unapologetic account of Melvin’s brash and sometimes deceptive conduct on the set of the film, including questionable antics like writing bad checks, tricking a local fire department and allowing his son, Mario, to shoot racy sex scenes at the age of 11.
The story revolves around a young man, Vikram, who is a fashion prodigy. The story is layered with a murder in town.
Sins of Our Youth is the story of four teenagers who accidentally murder a younger boy while shooting off assault weapons recreationally and the perilous decisions they make in the wake of the murder.
The Disciples of James Dean meet up on the anniversary of his death and mull over their lives in the present and in flashback, revealing the truth behind their complicated lives.
Set in one-day, three people embark together on a car trip from Madrid to Almeria. Antonio (Cebrián) is a successful industrialist, however he is dismayed that his personal life does not reflect his glittering career. He is insecure about his faltering marriage to Teresa (Chaplin), whom he believes is having an affair with his best friend, Antonio (Galiardo).
Raised in a broken home, Cody (Tim Torok) is a troubled man with a history of addictions and crime. While Cody serves time in the county jail, his mother, Pam (Penny Carlisi), begins to question her faith as she suffers constant grief from watching Cody’s poor choices. Then, with the support of her prayer group, she realizes that only God can heal her pain, restore her faith, and save her son.
Alderney, Channel Islands. 1964. A telephone operator ends up being the pivotal piece of a drama unfurling which puts professional integrity, and relationships, to the test.