Göte is a young teen who seems to be at odds with his family and may not know his own mind that well either. Discontented and rebellious, Göte joins up with two mean-spirited game poachers in spite of the fact that he loves animals and nature. This contradiction between his own feelings and his need to rebel reaches a climax when a forest ranger starts to track down the young men in ever-tightening circles.
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In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.
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Story about father and his son and small town bullies and those who stare beside silently approving all bad to happen. Ex-priest moves to small town of Harmaaketo together with his son, where they get instantly bullied and terrorized. Even when there’s zero tolerance for such things, no one can or don’t want to stop it before it’s too late and things escalate to the point of no return.
When a young family moves into a foreclosed house, the previous owner begins a campaign of intimidation and terror. The deranged man will stop at nothing to get his home back.
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