Adapted from prolific western novelist Dusty Richard’s “Mustanger and the Lady,” ‘Painted Woman’ is the story of Julie Richards Julie is a woman of her time, passed from hand to hand in a web of abuse and prostitution, landing her at the feet of Kyle Allison. Allison, a wealthy powerbroker of the old west town of Goldfield, took young Julie into his home and made her his trophy. This life came with the gift of being taken care of and the cost of more abuse. As Julie’s time with Allison is coming to a dangerous close, Julie is given two chances of escape, with two very different men… The story of PAINTED WOMAN is two distinct chapters in Julie’s life, with each chapter mirroring the other. Chapter one follows Julie meeting Frank. It is told mostly at night in the town of Goldfield. Chapter two follows the Mustanger. It takes place in the wilderness and is told mostly during the day.

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Three cowhands, between jobs, have the bad dumb luck to pitch night camp in the same valley as a cabin full of guys who just robbed a stagecoach and killed the guard. Come morning, a posse arrives, forms up along the ridge, and takes for granted that everyone down below is guilty–fit for either shooting to bits or hanging from a tree, whichever comes first. Precisely half of Ride in the Whirlwind’s 82 minutes is devoted to tapping the matter-of-fact, absurdist horror of that situation. In the remaining half, the two surviving cowpokes (Jack Nicholson and Cameron Mitchell) seek shelter at a farmhouse where they reluctantly threaten the farmer, accept breakfast from his wife, flirt with his daughter (Millie Perkins), play some checkers, and hope to remain undetected till nightfall.

“Cowboy Up” is a celebration of the risk-taking, daredevil personalities of modern rodeo. In the world of professional bull riding, newcomer Ely Braxton (Marcus Thomas) is the craziest guy around; his brother Hank (Kiefer Sutherland) is a rodeo clown, and the two use each other to play up their acts. But love may be one thing that tears the brothers apart. When Ely falls for the rodeo’s sweetheart (Daryl Hannah), Hank is filled with jealousy and hatred. The brothers try to come to grips with their differences, but the competition gets as fierce as the bulls in the ring.

Monte Walsh and Chet Rollins are long-time cowhands, working whatever ranch work comes their way, but “nothing they can’t do from a horse.” Their lives are divided between months on the range and the occasional trip into town. Monte has a long-term relationship with prostitute Martine Bernard, while Chet has fallen under the spell of the widow who owns the hardware store. Camaraderie and competition with the other cowboys fill their days, until one of the hands, Shorty Austin, loses his job and gets involved in rustling and killing. Then Monte and Chet find that their lives on the range are inexorably redirected.

After years of robbing and scheming, a feud between Butch and Sundance leads to mistrust and betrayal, jeopardizing the largest heist of the century.

Forester, a ruthless oil baron, wants to create a war between the native American tribes and the white men. Old Shatterhand, Winnetou and their sidekick Castlepool try to prevent this.

Two family clans have always been enemies; they spend their time hating and killing each other. The daughter of the Campos family and the son of the Mounter family fall in love, thus causing further hatred and deaths.

In a stagecoach stop far away in the Wild West the unexpected visit of a man called ‘Colonel’, will change their peaceful lives .

After avenging his family’s brutal murder, Wales is pursued by a pack of soldiers. He prefers to travel alone, but ragtag outcasts are drawn to him – and Wales can’t bring himself to leave them unprotected.

Chingachgook, a Mohawk-born Delaware warrior, strives to rescue his wife Wahtawah from the clutches of an enemy camp of Huron. Joined by his trusted huntsman Deerslayer, the two confront racist pioneers and brutal British soldiers in their quest. Deerslayer catches the desire of Judith and thus the jealousy of her suitor, Harry. The action of the story functions like a seesaw, characters continuously traveling back and forth between a house on the lake and the Huron camp until the violent climax.

After a cavalry group is massacred by the Cheyenne, only two survivors remain: Honus, a naive private devoted to his duty, and Cresta, a young woman who had lived with the Cheyenne two years and whose sympathies lie more with them than with the US government. Together, they must try to reach the cavalry’s main base camp. As they travel onward, Honus is torn between his growing affection for Cresta.