While subjected to the horrors of WWII Germany, young Liesel finds solace by stealing books and sharing them with others. Under the stairs in her home, a Jewish refuge is being sheltered by her adoptive parents.
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When down-on-his-luck part-time high school wrestling coach Mike agrees to become legal guardian to an elderly man, his ward’s troubled grandson turns out to be a star grappler, sparking dreams of a big win — until the boy’s mother retrieves him.
Francis is a young gay man, Marie is a young straight woman and the two of them are best friends — until the day the gorgeous Nicolas walks into a Montreal coffee shop. The two friends, instantly and equally infatuated, compete for Nicolas’ indeterminate affections, a conflict that climaxes when the trio visit the vacation home of Nicolas’ mother. The frothy comedy unfolds through narrative, fantasy sequences and confessional monologues.
Hope, the third film in the PARADISE TRILOGY, tells the story of the 13-year-old Melanie. While her mother (Teresa) travels to Kenya, Melanie spends her holiday in the Austrian countryside at a strict diet camp for overweight teenagers. Under the supervision of a tattooed trainer and a creepy doctor, the teenagers attempt to do sports during the day and secretly get drunk in the evening. Between physical education and nutrition counseling, pillow fights and her first cigarette, Melanie falls in love with the doctor who is 40 years her senior.
Seven year-old old twin brothers, separated during the Civil War in Tajikistan, face each other years later in a new war where one is an American soldier and the other is Taliban.
A 30-something man between relationships must move quick when an exciting new woman enters his life.
When a dedicated rescue worker inadvertently gets caught up in the kidnapping plot of a mogul’s tween daughter, he must save her from the clutches of rival gangs hunting them down with unpredictable dangers around every corner.
Ruth Duffy is getting by on an assistant’s salary at a pricey school for girls in Manhattan, managing to move beyond the trouble and loss of her teenage years. Jonny Collins is working local jobs near the Throgs Neck Bridge in the Bronx. When they cross paths after years apart, Jonny is as consumed with Ruth as he was in their high school days, and he infiltrates her life for love and profit.
A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People’s Republic.
Neil is a painter and graphic designer. On a morning just like any other morning his girlfriend Amanda leaves him and moves out of their house (don’t worry, it’s a rental.) That morning Neil tries to cope as best he knows how, but in a strange turn of events he ends up shooting back a glass of bleach. He wakes up to suicide watch and court appointed therapy as well as the empty void Amanda left. Now Neil has to decide what he can do to feel better about himself. Should he get Amanda back? Make his old friends like him again? Confront his estranged father? Eat a ton of Chinese food? Or maybe he should just finish his latest goddamned painting. Will he figure it out? Well you better hope so.
Exhibit A tells the timely story of a normal family disintegrating under financial pressure. All is not as it seems as the King family go about their day-to-day lives oblivious of the horror to come. Dad Andy (Bradley Cole) is nursing a secret that ultimately leads to terrible consequences for them all. We witness these chilling events unfold through daughter Judith’s video camera, which subsequently becomes Exhibit A.
A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy
