A wealthy landlord floods and destroys a village on purpose to prevent the people living there from making a profit off their crops. What he doesn’t know is that his own daughter, Amal, is in love with Ahmed, a young man from the village.
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“In the Shadows” slithers through underworld Berlin in grand style. En route to a twisty finale, German writer-director Thomas Arslan keeps his audience glued to the increasingly desperate actions of Trojan, a thirtysomething career criminal whose latest job slowly catches up with him.
A married couple falls into depression after the death of their child. They turn to sex as a coping mechanism, but poverty takes its toll on them.
HAGAZUSSA is the dark legend of the young woman Albrun and her struggle to preserve her own sanity, and tries to explore the fine line between ancient magic, faith and madness at a time when pagan beliefs in witches and nature spirits spread fear and terror in the minds of the rural population.
When Emma Gardner, a whip smart NYC reporter learns of her father’s untimely death, she returns to her home town to find that the idyllic farming community of her childhood has been ravaged by drought and has become a place tormented by gangs and the ill effects of extreme poverty. She quickly figures out that her dad’s accidental death was not accidental at all. The lists of possible suspects include overly zealous environmentalists, a local war lord and other farmers jealous of her father’s outstanding reputation.
Montse is very excited because she is about to spend a weekend with the whole family at her house in Cadaqués, on the Costa Brava. She has been divorced for a long time, her ex has a new partner, her children have grown up and have been living her life for a long time without paying any attention to her, but nothing and no one will be able to upset Montse’s spirits; She has been waiting for this moment for too long, too long that she has dreamed of him: this weekend will be an ideal weekend… even if she has to burn everything to do so.
During the Great Depression, Kate (Greer Robson) is a 13-year-old girl living on New Zealand’s South Island. When her mother dies and her father is offered a job in Wellington on North Island, Kate is sent to live with an aunt. The girl runs away to find her father, hopping onto a boxcar and befriending a fellow fugitive, Patrick (Peter Phelps), an emotionally battle-scarred WWI veteran fleeing the authorities after injuring a repo man. Pretending to be father and daughter, Patrick and Kate use each other for cover as they make their way across New Zealand, sleeping under the stars and championing the rights of destitute farmers and homeless squatters whose fortunes have been wiped out by economic hardship.
In a world controlled by a shadow organization, how far must you tap into your own darkness to balance the scales?
On the shimmering shores of Europe’s otherworldly edge, two teenage girls, Hanake and her best friend are discussing their first love interest while gazing out at yachts sailing to Kyoto. They whisper prayers and poems, the language of their longings. But the magic is fading in their isolated fishing village as they’re dealing with a recent disaster, with some indulging in erotic art, some in spiritual spells. It becomes clear that intimacy alone won’t help them process their loss.
Despite his outstanding intellect, associate professor Charlie Thurber is a chronic underachiever and has never received university tenure. Aided by his nutty best friend, Charlie launches a final effort to make the grade at Gray College. But a beautiful new teacher whose ascending star threatens to eclipse him shakes up Charlie’s plans.
After blacking out on his wedding night, Shane and his wife head to a remote estate for their honeymoon. That night, there’s a knock at the door; a waiter and bartender from the reception, blackmailing Shane for something he can’t remember doing. But the blackmailers don’t just want money. They’re after business partners for their invention, an outlandish device called… The Crumb Catcher.
When his mother dies the week before Easter, widowed hotshot LA exec Nate Lassiter (David Lee Smith) and his head- strong Latina daughter Chloe (MIshka Calderon) must finally return to his hometown in Ohio, where he faces the daunting task of signing away his family’s factory. Nate will collide with his spitfire cousin-with-a-grudge (Jenni-Kate Deshon) he forced to run the factory when he left years before, a labor-strike lead by a high school wrestling buddy (Austin St. John), and a legal battle over the factory sale – brought on by the girl he left behind, Grace (Ashley Bratcher). Forced to search his soul and embrace his past, in rediscovering with his home town Nate just might reconnect – with his Grace.
The story is one of an architect that has lost his inspiration and goes looking for those motivations that pushed him as a youngster to take up the profession. Inspiring him was the baroque movement and all of its artifices: the Guarini in Turin and the Borromini in Rome. The film’s central story ends up being the love story that develops between architecture, artistic inspiration and feelings.