Victor & Miranda try and resolve their failed marriage only after they independently attempt to kill each other on the same night.

Coming Through the Rye, set in 1969, is a touching coming of age story of sensitive, 16 year old Jamie Schwartz, who is not the most popular kid at his all boys’ boarding school. Disconnected from students and teachers, he believes he is destined to play Holden Caulfield, the main character of The Catcher in the Rye, and has adapted the book as a play.

Miguel is the perfect coyote: dedicated, single-minded, his record unblemished. His home is the winding path of the migrant: the back alley gravel, the crumbled pavement, and last – the river. Despite this perfect record, Miguel is no stranger to death. His nickname, “El Maldito” hints of what we will soon see for ourselves, for Miguel seems haunted by the dead and dying. He comes upon them on desert roads; he hears their confessions, and takes part in their dying wishes. Miguel’s house, much like the man himself, stands alone; yellowed photographs breathe the sigh of a life given over to a singular purpose – crossing his people to a new life. There are signs that this quiet struggle is soon to break. When a terrible wreck draws Miguel to the roadside, the order of his life comes to ruin, for Elena, the wreck’s lone survivor, recognizes Miguel.

The story of five teenage girls who form an unlikely bond after beating up a teacher who has sexually harassed them. They build a solid friendship but their wild ways begin to get out of control.

A workaholic television producer receives a visit from her recently deceased mentor, who warns her that her current path leads to a dark future.

For his fourth full feature, Toyoshi Toyoda has abandoned the theme of the angry young man, examined in depth in Pornostar, Blue Spring and 9 Souls. Kuchu Teien is, on the face of it, more a drama, a character study, than a typical Toyoda genre flick. Yet within this beautifully structured and photographed film, there lies a dark soul. Ostensibly the story of a happy family, it becomes increasingly clear as the movie progresses that the Kyobashis are anything but. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.

A phobic con artist and his protege are on the verge of pulling off a lucrative swindle when the con artist’s teenage daughter arrives unexpectedly.

Unhappily married, Julia Sturges decides to go to America with her two children on the unsinkable Titanic. Her husband, Richard also arranges passage on the luxury liner so as to have custody of their two children. All this fades to insignificance once the ship hits an iceberg.

Sam, who after his motorcycle is damaged in an apparent crash into the ocean, becomes stranded in a small New England town, finds refuge at a run-down motel managed by Kate, a similarly burnt-out, lost soul. The mystery around Sam’s presence in town unravels when it’s discovered that his estranged daughter Audrey lives there – the daughter he hasn’t seen her in 25 years. As he tries to bridge the gap between the little girl he left long ago and the woman who grew up without her father, Sam learns he was never cut-out to be emotionally connected to anyone – unless he falls in love with another soul just as lonesome.

Injustice begets a criminal. Kool is an artist without prospects, a black belt in karate, and in love with LaShawna, poised and college bound. One night she witnesses a stabbing and discovers the victim is a cop as he dies in her arms. She’s jailed for murder by the infamous Ramparts Division of the LAPD. Kool wants to prove her innocence, and Tully, the cynical detective in charge, ignores LaShawna’s case but uses Kool to break up an incipient crime operation. She’s in danger because the guilty parties fear that the officer talked before he died. While in jail awaiting a hearing and legal help, she’s beaten to death by a rogue cop. Kool vows revenge: the Hot Boyz are born.

On the brink of a midlife crisis, 30-something Mike O’Donnell wishes he could have a “do-over.” And that’s exactly what he gets when he wakes up one morning to find he’s 17 years old again. With his adult mind stuck inside the body of a teenager, Mike actually has the chance to reverse some decisions he wishes he’d never made. But maybe they weren’t so bad after all.

A homeless veteran battles to survive against his demons in the remote Highlands of Scotland