Decent, simple, honest Chinese farmhand and ace martial artist Tai-Lin goes to the Philippines to seek his fortune. He befriends scruffy petty street hoodlum Siao-Mao and gets a job as a dock worker. When Tai-Lin discovers that the people he works for are involved in a crime syndicate that specializes in smuggling opium, he quits his job and joins forces with two fellow martial artists against the evil organization.
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The first part of Bill Douglas’ influential trilogy harks back to his impoverished upbringing in early-’40s Scotland. Cinema was his only escape – he paid for it with the money he made from returning empty jam jars – and this escape is reflected most closely at this time of his life as an eight-year-old living on the breadline with his half-brother and sick grandmother in a poor mining village.
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