A kidnapped mobster (Vittorio De Sica) persuades his captors to help him rob platinum ingots from a train.
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While seeking answers to a past he cannot remember, a schizophrenic must find the strength to control his mental illness as he tries to build relationships with those he pushed away. Winner of multiple festival awards.
The Book of Job is about a high school student who has trouble separating reality from fiction. Young Job falls “madly in love” with a new girl who catches his eye one Sunday mass. In the midst of his conforming to what he believes to be her idealized standards, he realizes his life is about so much more than simply himself.
Each Christmas, Santa and his vast army of highly trained elves produce gifts and distribute them around the world in one night. However, when one of 600 million children to receive a gift from Santa on Christmas Eve is missed, it is deemed ‘acceptable’ to all but one – Arthur. Arthur Claus is Santa’s misfit son who executes an unauthorized rookie mission to get the last present half way around the globe before dawn on Christmas morning.
When family’s falling out, it’s time to call in Aunt Bam to set a few things straight! The fun begins when Bam’s favorite nephew-in-law, Stewart, is granted weekend visitation with his children. He and his new wife are thrilled at the chance — until Stewart’s drunken ex shows up with trouble in mind. Now it’s up to Bam to calm things down in this high-spirited new play from Tyler Perry. Written by Anonymous
Aurore has separated, just lost her job and learns that she is going to be a grandmother.
Chili Palmer is a Miami mobster who gets sent by his boss, the psychopathic “Bones” Barboni, to collect a bad debt from Harry Zimm, a Hollywood producer who specializes in cheesy horror films. When Chili meets Harry’s leading lady, the romantic sparks fly. After pitching his own life story as a movie idea, Chili learns that being a mobster and being a Hollywood producer really aren’t all that different.
Baratometrajes 2.0 is a feature length documentary on low-budget films made in Spain and dives deep and directly in the guts of most independent films, their characteristics and their reasons for being. More than forty interviews with directors, producers, journalists, cultural managers and distributors are shaping a broad mosaic of opinions and adventures of different creators to get their films and turn them into a reality, allowing the cameras to talk through their methodology work and the secrets that lie behind the making of these productions. Movies like “El mundo es nuestro,” “Mi Loco Erasmus” or “The Cosmonaut” are part of the object of study of this essential documentary that brings us to the reality of New Spanish Cinema Lowcost.
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