A bush-league group of amateur filmmakers spend two weeks in the backwoods of Georgia searching for the mysterious Bigfoot.
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Vivica A. Fox sizzles as a woman scorned who plans to get her man back by any means necessary. In this comedy about players and those who “get played.” As corporate overachiever and all-around fly chick Shanté Smith, Fox thinks she’s got the goods to keep her slickster boyfriend (Morris Chestnut) from straying – until he discovers a greener pasture, Shanté’s archrival (Gabrielle Union)
A small town is plagued by a hopping Chinese vampire. A clumsy traveling warrior becomes aware of the vampire’s sinister presence however the skeptical locals and their arrogant Taoist priest discredit the traveler. Meanwhile, a group of orphaned children, who are taken care of by a loving yet stern middle-aged play actor, befriend the vampire’s son without realizing his true identity.
Alex, Marty, and other zoo animals find a way to escape from Madagascar when the penguins reassemble a wrecked airplane. The precariously repaired craft stays airborne just long enough to make it to the African continent. There the New Yorkers encounter members of their own species for the first time. Africa proves to be a wild place, but Alex and company wonder if it is better than their Central Park home.
A filmmaker and her daughter are coerced to help an island laird lift a curse from his wife.
Hapless Insurance Loss Adjuster – Martin Dyer – feels his life is spiralling out of control but discovers that even when you reach rock bottom, that some clouds really do have a silver lining.
Baratometrajes 2.0 is a feature length documentary on low-budget films made in Spain and dives deep and directly in the guts of most independent films, their characteristics and their reasons for being. More than forty interviews with directors, producers, journalists, cultural managers and distributors are shaping a broad mosaic of opinions and adventures of different creators to get their films and turn them into a reality, allowing the cameras to talk through their methodology work and the secrets that lie behind the making of these productions. Movies like “El mundo es nuestro,” “Mi Loco Erasmus” or “The Cosmonaut” are part of the object of study of this essential documentary that brings us to the reality of New Spanish Cinema Lowcost.
South America, 1960. A lonely and grumpy Holocaust survivor convinces himself that his new neighbor is none other than Adolf Hitler. Not being taken seriously, he starts an independent investigation to prove his claim, but when the evidence still appears to be inconclusive, Polsky is forced to engage in a relationship with the enemy in order to obtain irrefutable proof.
Virginia tumbles into a wild and thrilling new world of sexual liberation when she moves in with a group of polyamorous party animals, including the charming but commitment-phobic Jake.
The second film from British director Guy Ritchie. Snatch tells an obscure story similar to his first fast-paced crazy character-colliding filled film “Lock, Stock and Two Smoking Barrels.” There are two overlapping stories here – one is the search for a stolen diamond, and the other about a boxing promoter who’s having trouble with a psychotic gangster.