To the amusement of their adult children and friends, long divorced couple Don and Ellie Griffin are once again forced to play the happy couple for the sake of their adopted son’s wedding after his ultra conservative biological mother unexpectedly decides to fly halfway across the world to attend. With all of the wedding guests looking on, the Griffins are hilariously forced to confront their past, present and future – and hopefully avoid killing each other in the process.
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A rookie cop is tasked with shadowing Officer Downe, a no-nonsense LAPD cop with regenerative powers, as he wages an ultra-violent war against the nefarious villains of Los Angeles.
Chucky hooks up with another murderous doll, the bridal gown-clad Tiffany, for a Route 66 murder spree with their unwitting hosts.
Newly engaged, Thomas meets his future father-in-law Gilbert, who has been married for 30 years to Suzanne. Disillusioned Gilbert is convinced that his marriage has meant he’s missed out on life. He persuades Thomas not to marry his daughter Lola and encourages him to drop everything else in his life as well. The two men then throw themselves into a new brats’ life full of adventure, convinced that freedom is elsewhere. But at what cost do we rediscover our adolescent dreams?
In the harsh post-war years’ Catalan countryside, Andreu, a child that belongs to the losing side, finds the corpses of a man and his son in the forest. The authorities want his father to be made responsible of the deaths, but Andreu tries to help his father by finding out who truly killed them. In this search, Andreu develops a moral consciousness against a world of adults fed by lies. In order to survive, he betrays his own roots and ends up finding out the monster that lives within him.
Set one year after the drama series “Moteki.” 31-year-old Yukiyo Fujimoto (Mirai Moriyama) doesn’t have money, dreams or a girlfriend. He has left his job at a staffing firm and is attempting to start a new life by working as a writer for a news site. Suddenly, Yukiyo experiences “moteki” – a period when a man becomes suddenly popular with woman. Cute magazine editor Miyuki (Masami Nagasawa), pure and naive office worker Rumiko (Kumiko Aso), beautiful shop assistant Ai (Riisa Naka) and beautiful, but tough co-worker named Motoko (Yoko Maki) all become interested in Yukiyo. He tries to calm down, but is shaken by the interests of these women.
A nobleman with a literary flair, the Marquis de Sade lives in a madhouse where a beautiful laundry maid smuggles his erotic stories to a printer, defying orders from the asylum’s resident priest. The titillating passages whip all of France into a sexual frenzy, until a fiercely conservative doctor tries to put an end to the fun.
After several years of sexual dysfunction, Ada and her boyfriend, Calvin travel to her hometown in rural Oklahoma in hopes of piecing together her fragmented childhood memories. They find their answers, but can they find their way back home?
The youngest son of an alcoholic former boxer returns home, where he’s trained by his father for competition in a mixed martial arts tournament – a path that puts the fighter on a collision course with his estranged, older brother, an ex-marine with a tragic past.
“Tormenting the Hen” a caustic satire of city mice in the world of country mice, where well-meaning cosmopolites clash with strange townsfolk in country homes, black-box theaters, backyards, and local pubs. Invited by a dippy, curator (Josephine Decker), playwright Claire (Dameka Hayes) is spirited away to an artists’ retreat to present a political one-act about race, resentment, and masculinity. Accompanied by her fiancé, Monica (Carolina Monnerat), begins as a welcome getaway for the harried pair, until an unexpected visit from town enigma Mutty (Matt Shaw) casts a threatening shadow. While Claire plays babysitter to a duo of difficult performers Joel (Brian H. Brooks) and Adam (David Malinsky) Monica attempts to maintain her sanity despite her lover’s decreasing attentions and her neighbor’s proximity. Each woman struggles to preserve her autonomy in an increasingly hostile milieu, building to a soul-shaking climax that offers no easy answers for character and viewer alike.
Commander Steve Rogers crash-lands on a planet inhabited solely by women. All of the men were killed in a mining accident some twenty years before. The town where he wakes up is straight out of the old West. Both the sheriff and the mayor of the town take an immediate liking to Steve and each tries to claim him for themselves. The local bar maid is also interested but not quite as pushy as the first two. It looks like our man Steve may be trapped on a planet of beautiful women. But as usual in these things, you need to be careful what you wish for since you might get it…
Clay Foster is face to face with a griping situation. His wife is dead and he cannot accept it. He is in denial. The story starts in the midst of a tangled murder mystery. Clay’s wife was brutally murdered. How was she killed? Who killed her? The audience is forced to see the world as Clay does, through the eyes of a man traveling through the horrible stages of grieving; denial, anger, and finally acceptance, trying to solve the mystery of his murdered wife. As death comes upon all men, so does the Syphon. In clays diminutive state, his sanity brings him to rest very close at the veil between life and death. He is attune to the fragments and properties that join the two worlds, and being in such a state he is privy to witness and communicate with the beings that walk between them.
