Horror anthology with different segments made by different directors.

A teenager (Derek Rydall) insists he saw a satanist (Allen Garfield) kill the call girl next door, and tries to prove it.

Utilizing the 1920s jazz vocals of Annette Hanshaw, the epic Indian tale of exiled prince Ramayana and his bride Sita is mirrored by a spurned woman’s contemporary personal life, and light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets.

Becky is pregnant. Miranda is her only companion. Together, they trek the winter wasteland, knee deep in snow, to find a house in the middle of nowhere. But with the dead lurking around every corner, staying in one place might be harder than it looks.

An obnoxious meter maid and social media junkie, Michael fakes his own death to see which of his many friends will attend his funeral.

College student Ella is completely focused on her ambiguously romantic relationship with her dorm-mate, Chris. She is so consumed by trying to understand his behavior that she’s neglecting the screenplay she is supposed to write in order to graduate. When she does sit down to work on the script, her increasingly awkward social life bleeds onto the page and her work begins to express her true feelings about her own situation.

Remington has escaped the evil cabin, but now the evil continues to follow him wrecking havoc where ever he goes. As Chloe and Revel look for a missing sister that went to the evil cabin in the previous installment. The two meet Vincent, a failing tv show host, to help psychicly contact the missing sister. That’s when a gunshot rings out in the night and the three meet Remington. Now they all must battle for their lives against the evil that pursues Remington to once and for all lock the evil away for good.

When Mia, a social media star, becomes the target of an online terror campaign, she has to solve a series of games to prevent people she cares about from getting murdered.

It’s Halloween. Time for the annual fall fair. Everyone is excited and ready to have fun. Clancy The Clown has something different in mind.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

A reformed thief’s fight for justice when an innocent act to defend himself places him in loggerheads with the high and mighty of society.

A D-Day rescue mission turns ugly when a band of Allied soldiers battle with horrific experiments created by the Nazis.