In Kabuki style, the film tells the story of a remote mountain village where the scarcity of food leads to a voluntary but socially-enforced policy in which relatives carry 70-year-old family members up Narayama mountain to die. Granny Orin is approaching 70, content to embrace her fate. Her widowed son Tatsuhei cannot bear losing his mother, even as she arranges his marriage to a widow his age. Her grandson Kesa, who’s girlfriend is pregnant, is selfishly happy to see Orin die. Around them, a family of thieves are dealt with severely, and an old man, past 70, whose son has cast him out, scrounges for food. Will Orin’s loving and accepting spirit teach and ennoble her family?
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We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
Summer 1996, north-east coast of Brazil. Tamara is enjoying her last weeks at the fishing village she lives in before departing to Brasilia for her studies. One day, she hears about a teenager nicknamed Heartless after a scar she has on her chest. Over the course of the summer, Tamara feels a growing attraction for this mysterious girl.
A curmudgeonly instructor at a New England prep school is forced to remain on campus during Christmas break to babysit the handful of students with nowhere to go. Eventually, he forms an unlikely bond with one of them — a damaged, brainy troublemaker — and with the school’s head cook, who has just lost a son in Vietnam.
When former college sweethearts Olivia Pershing and Mick Turner are unexpectedly reunited the weekend of Olivia’s wedding, the former couple initially locks horns but as the events of the weekend unfold, Olivia and Mick find old feelings rising to the surface. Will the bride-to-be walk down the aisle as planned or will she decide to give her first love a second chance?
A PhD student ties unusual tremors in Los Angeles to rogue scientists, who will weaponize Nikola Tesla’s secrets and cause massive earthquakes, if they can only find his lost notebook
Aoi Nishimori’s parents moved to another city for work, but Aoi didn’t want to transfer to a new high school. She stays behind and lives in an apartment by herself. Shusei Kugayama moves in next to Aoi’s apartment. Shusei is a very popular student at their high school. Due to a mistake, Aoi makes the sprinkler go off in his room. Until Shusei’s room is fixed, he stays with Aoi.
The life of revered the 18th-century Armenian poet and musician Sayat-Nova. Portraying events in the life of the artist from childhood up to his death, the movie addresses in particular his relationships with women, including his muse. The production tells Sayat-Nova’s dramatic story by using both his poems and largely still camerawork, creating an impressionistic work.
A young girl had her voice magically taken away so that she would never hurt people with it, but her outlook changes when she encounters music and friendship.
The planned film trilogy retells the beginning of the story from Shuuichi Shigeno’s original car-racing manga. High school student Takumi Fujiwara works as a gas station attendant during the day and a delivery boy for his father’s tofu shop during late nights. Little does he know that his precise driving skills and his father’s modified Toyota Sprinter AE86 Trueno make him the best amateur road racer on Mt. Akina’s highway. Because of this, racing groups from all over the Gunma prefecture issue challenges to Takumi to see if he really has what it takes to be a road legend.
Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.
After Dr. Bill Hartford’s wife, Alice, admits to having sexual fantasies about a man she met, Bill becomes obsessed with having a sexual encounter. He discovers an underground sexual group and attends one of their meetings — and quickly discovers that he is in over his head.
