A philanderer falls victim to an extortion scheme when four masked strangers demand restitution for his sins.
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A star cowboy in a traveling rodeo gets thrown off course when he falls in love with the daughter of a tough-minded town councilman.
Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.
The very sad tale of socialite & Warhol muse Edie Sedgwick (1943-1971) who effectively plays herself in a film that follows her life in a large part from the time she left Warhol’s ‘factory’ and what the life of excess drugs did to her sanity. Edie was such a beautiful fragile girl – who finally got her head together and got married (her wedding day video is edited into the end of the movie) but it was too late, her husband woke up on a morning in November 1971, only weeks after filming wrapped, and found her dead beside him. She had died in her sleep from overdosing on her medication she was 28.
Set in a village right after the Korean War, poor but good-hearted Heo Sam-gwan sets out to win the most beautiful girl in the village, Heo Ok-ran, by selling his blood to earn money. Years later, the two are happily married with three children, but their family undergoes a crisis when Sam-gwan’s eldest son doesn’t resemble him and rumors spread about the boy’s paternity.
Battered, broken and bereaved, a private investigator must muscle his way through a tangle of lies to uncover the truth behind a mansion murder.
A father afflicted by photophobia searches for his daughter lost in the world of cybersex chat.
In Lagos, Nigeria, young, naive Nigerian journalist Òlòtūré goes undercover to expose the shady underworld of human trafficking. Unused to this brutal environment, crawling with ruthless traders and pimps, Òlòtūré finds warmth and friendship with Blessing, Linda and Beauty, the prostitutes she lives with. However, she gets drawn into their lifestyle and finds it difficult to cope. In her quest to uncover the truth, she pays the ultimate price – one that takes her to the verge of no return.
It’s the end of the school year for a group of high school friends. Their senior prom was to be a night of elegance, rejoicing and celebrating, but when a psychotic killer hijacks their stretch limo, he is determined to have them Dead On Arrival. The teens are tortured while being held hostage, and soon turn on each other for survival. By the end, we learn that one of the teens had been keeping a secret that played a bigger role in their demise.
This documentary tells the story of Rose West from baby to mother to murderer. This is a side to the world’s most notorious criminal that viewers have never seen before – her childhood. Using incredible first-hand accounts from people who knew her as a child; neighbours, teachers, friends and relatives, we’ll go through the key turning points in her upbringing that made her the killer she was to become. By intercutting between her harsh childhood and the psychopathic tendencies she presented in later life and the despicable crimes she would go on to commit, plus with the advice of on-screen psychologists; the viewer will get a better sense of why Rose West became the serial killer of at least 12 young women.
Two suicidal teenagers, Conrad and Michelle, turn to each other for support, communicating via text messages. But when Conrad expresses his desire to end his life, instead of trying to stop him as she had previously, Michelle encourages Conrad to take his life, even providing him suggestions on how to do it.
